Antonio,
In recommending tuning forks I was merely making the point that ANY two sound sources that are relatively clean and a consistent number of hertz apart can be used for binaural beats. Thereare a few things that may make your experience easier and more productive.
First off, step between frequencies and never ramp. Entrainment takes a few minutes to happen (like 5 or so) on a stable frequency. A ramping frequency gives the brain nothing to entrain on since the frequency is constantly changing. This is a reason that some people have trouble entraining on files found in the library. Many are constantly ramping (with multiple voices, etc) and giving the brain nothing to entrain on - any results are placebo effect (or something taken earlier in the evening). Let each tone play for 5 minuts and then drop 2 or 3 hz - let it play for 5 mins and then repeat until you get where you want to be.
Second - Keep it Simple - Two tones, x Hz apart = binaural beat. In your example of the 'x box harmonic method' you have carriers at 500, 480, 250 and 230 hz. When you mix the 500 and 480 and the 250 and 230 hz carriers - you will also have a new 20 hz tone included from the 500=480 and the 250-230. If you are looking for a highly alert state, this might be what you get - or maybe the brain picks up on the other. If you are ramping from 15 hz to 8 hz, your brain will choose the stable 20 hz to entrain on. Also what is a 'normal binaural'? A binaural is a sub-audible tone produced by mixing 2 audible tones (carriers), one into each ear and the mixing is done by the brain.
As far as subliminals, while the other than conscious does work without the constraints of human language, it does understand it and keeps track of what is said as well as body language, inflection and other factors in communication. It is the ability to transcend human language that allows the other than conscious to operate at super high speeds at breaking the codes used to mask subliminal suggestions in print, audio and visual messages. As the messages and the keys are discovered they are filed away and used to create your belief structures that influence your behaviors and view of reality. That said, I am always interested in hearing about new methods that seem to work. In all honesty though, you need to find work in a place other than a bar if you wish to remain clean and sober. One week can be done on will power and placebo effect. Two years is still done day by day for many. Don't kid yourself, if alcohol was your mistress then she's not done with you yet and keeping her close is no way to end it. Geta job where the sights, sounds and smells are there to constantly beat on your will power. Sooner or later you'll hit one of life's bumps and they'll crash down.
As far as money - use open source. Usually better quality anyway. Try downloading Audacity and reading the help files.
Dr. Richard Price
RCP Consulting
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--- In bwgen@yahoogroups.com, "Antonio" <antonio_b_perez@...> wrote:
>
> Thanks Dr. Price. About the tuning forks...Is it possible to take one
> tuning fork and put it on lets say the left channel, then take the
> same original recording and editing the hz by lets say 10hz and
> putting it on the right channel? How exactly can I do this on cool edit?
>
> One thing I was thinking about doing is taking lets say a tuning fork
> or some tibetan bells or something similar, and stretching their time
> out, while trying to keep some of the original sound. So I would have
> it go for like a minute or two...then when it get close to the end I
> would have another sample come in, such as a quick gong hit or a small
> tribal loop...then have the same stretched out sound sample...To try
> to give the brain some variations.
>
> If its possible to alter the hz of a sample, here comes another
> problem that I am thinking of. Usually with binaural recordings I
> take the bb from 15hz down to lets say 8hz...then have 8hz go for like
> 20 minutes or what not. Is it possible to take my sound sample and
> edit it accordingly...ie:
>
> 1) Can I take a tuning fork and make 2 samples, lets say one at 215hz
> and one at 200hz and ramp then down to lets say 208hz and 192hz?
>
> 2) The other thing that I usually do with binaurals is to utilize the
> box harmonic method, which I find a lot less annoying and harsh on the
> ears. What I usually do is have it setup like this for example:
>
> 1) voice 1 = 15hz to 8hz (carrier equals 500hz for example)
> 2) voice 2 = -15hz to -8hz (carrier equals 480hz for example)
> 3) voice 3 = 15hz to 8hz (carrier equals 250 for example)
> 4) voice 4 = -15hz to -8hz (carrier equals 230 for example)
> 5) voice 5 = 15hz to 8hz (normal binaural)
>
> When I listen to my box x bb's its more of a droning soothing sound,
> except for voice 5 which I have only at like 25% volume so its barely
> noticeable. Voice 3 & 4 are usually a bit louder. NOTE: I didn't
> actually calculate the correct carrier hz's, as I'm just doing it as
> an example.
>
> What I'm wondering is...is it possible to do this with any kind of
> sample (tibetan bells, chimes, etc.).
>
> IE, can I take a sound sample and ramp it down from 15hz to 8hz and
> also have a negative binaural.
>
> Also, I have come across a very beneficial technique that I personally
> think will make binaurals work way better. I'm willing to share my
> ideas with you in exchange for some help on this stuff that I am
> trying to accomplish. I'm sure you're aware that the subconscious
> works better with symbols than with affirmations (in my experience at
> least). I used this one technique the other day to become alcohol
> free and so far for about a week I havn't drank. I've had small
> desires while going to the bar that I work at, but they tend to fade
> out fast. Don't worry, I'll tell you what the technique is, but I'll
> wait for your response back, as to keep you hanging :)
>
> As for the other audio mixing techniques, can you give me a heads up
> on how to do these? Even a possible tutorial somewhere on the web
> (please don't refer to your tutorial, as I'm flat broke right now.
> I'm sure your tutorial is of great quality, much like your posts, its
> just that I don't have the money. Thanks) Also I don't have money to
> buy the neuroprogrammer.
>
>
> > As to posible ways to entrain...drum beats, two tuning forks x hz apart
> > in frequency, any flashing lights such as light goggles or strobe
> > (however even the blades of a ceiling fan blocking the light on and off
> > can do it), bumps in the road if they are evenly spaced on a highway.
> > As for audio mixing - pulse, low pass filtering, autopan, crossfeed and
> > pitch modulation are common. Most of us who produced programs use our
> > own custom built generators and usually have a few more methods that are
> > proprietary to the company. Commercially, Transparent makes affordable
> > tools to do each of these methods. Pulse is nice and very effective at
> > levels as low as 15 - 20% modulation. At these levels it is noticable
> > but not obnoxious when mixed with the sound mask.
> >
> > Any rhythmic stimulus that can be perceived is capable of causing
> > entrainment.
> >
> >
> > Dr. Richard Price
> > RCP Consulting
> > <http://www.rcpconsulting.us/index.php?module=PayPalCart&func=main>
> >
> > Pre-Thanksgiving 4 for 2 sale - for a limited time buy 2 programs from
> > the store at the regular price and receive 2 more free. Or buy 3 and
> > get 3 free (or an equivalent value in combo packs or other programs.
> > Just order the first programs online at our store
> > <http://www.rcpconsulting.us/index.php?module=PayPalCart&func=main>
> > and your confirmation email will have a code to email back with the free
> > titles you want. Limited time - do it today! Sorry - but this cannot
> > be combined with other specials.
> >
> >
> >
> > --- In bwgen@yahoogroups.com, "Antonio" <antonio_b_perez@> wrote:
> > >
> > > Hey Dr. Price, hows it going. I'm wondering, how can I modulate a
> > > sound sample (wind, rain, stream, etc.) to entrain my brain. Do you
> > > have a detailed guide on how to do this. Also what are all of the
> > > possible ways to entrain (pulse modulation, panning, etc.)
> > >
> > >
> > >
> > > "A method for incorporating brain wave entrainment into an audio
> > > composition by selectively modulating musical elements within the
> > > composition."
> > >
> > > http://www.freepatentsonline.com/y2007/0084473.html
> > >
> > >
> > > And...what about split brain entrainment...how is this done?
> > >
> > > Thanks
> > >
> > > Antonio
> > >
> >
>