Hello,

let me know, how I can see my letter that I sent to your group 29.1

Shaul

----- Original Message -----
From: "MarySol Gonzalez Sterling" <biosonica@...>
To: <biosonic@yahoogroups.com>
Sent: Wednesday, January 30, 2008 9:12 PM
Subject: [biosonic] new ways to look at voice analysis 3


> hello everyone,
> I guess you have done the exercise to feel the vowel sounds in the body
> and did not tell us, or you did not do it at all?????
>
> Ok, I continue to share, eventhough I would prefer to have some
> response, then I know that it is of interest to you, if not I might
> loose interest myself, and not share any more.
>
> STRUCTURE OF THE VOICE AND THE MUSICAL NOTES, COHERENCE AND INCOHERENCE
>
> @ We use 12 musical notes, 7 main musical notes and 5 sharp notes as
> transitions. If we place the 12 in a circle we can see which notes are
> in direct opposition to another, which we say it is an inverse, the
> place where a wave rises and in the other note the wave falls down. This
> premise of rising and falling is seeing in various ways, in the notes
> inverse or complementary colors, in a full octave that some notes are up
> rising and other notes are down loosing energy.
>
> @@ There is always 6 notes high in stress and 6 notes low in weakness,
> the same as a Yin Yang, and we can see this perfect wave rising and
> falling or it might show with cracks and flaws or it might show as a
> perfect coherent BELL CURVE, the same as the spectrum of the sun colors.
> Where all colors have the same amplitude and energy shown in two
> octaves, some are full in the middle of the rise while others have the
> same energy divided in two octaves. This bell curve rises up faster and
> slows down when it falls. We look at the coherence as this rise and
> fall, sudden ups and downs will be significant as incoherencies.
>
> @@@ We also have groups of 3 notes rising together that oppose one
> falling in the opposite side of the circle, and 3 notes falling that
> oppose one in the center of the middle that is rising, which we call
> Spirals 3+1-noted and 3-1+ notes. As a contracting centripetal Yang
> spiral and an expanding centrifugal Yin spiral. The way these two spiral
> relate to one another will also define the organs and accupunture
> meridians involved, as well as creating the wave rising and falling, as
> a more or less coherent relationship between opposing or inverse notes
> or complementary colors. These two spirals could be radial, one in front
> of the other, most coherent, if not they could be inclined as one
> slightly off, not being directly in front of the other in the circle, it
> is the normal incoherence. And also we see them in two levels of
> disperssed relationship, where only one note in the edge is opposing
> another note in the other edge of the opposing spiral, this has
> different levels of incoherence and then the wave doesnot rise and fall.
>
> @@@@ COHERENCE is a study that expresses harmony and stability, which is
> very hard to reach and very easy to loose. When we receive sound therapy
> the movement of the notes expresses itself with a temporary incoherence,
> something has changed and we will see a disorganization that is
> different from before and more incoherence and with time it will go back
> to what it was before or maintain some of the changes.
> Valuing different ways of incoherencies, due to notes, to octaves or to
> number of hits in the Chromatic will help in the future the programming
> of the software, so that it can do the work of the practitioner and take
> decissions of what is a worse voice or a better voice. We have seen 8
> types of incoherencies and have valued them with percentages, which need
> to be revised and do futher research before the programming can be
> implemented in the software.
>
> @@@@@ The relationship of musical notes to colors is done by multiplying
> by two starting in the number of frequency of the MidC octave until you
> reach the number of vibrations trillions of hertz belonging to the
> vibration of a color. We use the diatonic scale, because it is the
> closet to PHi progression. No oter scale has been proven to be best, so
> no decissions on why other scales should be used. And by x2 calculation
> we get that C is turquoise in radiated light, meanwhile it is red in
> absorbed light as pigment. Which is what the voice shows. This means
> that we need green-blue light to see an object as red, the green-blue is
> absorbed and the red is reflected. This relationship with Johann Goethe
> prism experiments has been related to the trigrams of the Iching, and
> then to the 5 elements and the 12 main accupunture meridians. These fit
> in the body in perfect synchronicity, the reds and warm colors are in
> the hands meridians and the cold and blue meridians in the feet. The
> routes used to energize o calm down are perfect in opposing toe and
> finger. Small toe kidney in cyan color opposing little finger for heart
> in red, yellow of the thumb for the lung opposes big toe in violet for
> the Spleen. The system is perfect and it also coincides with much of the
> empirical research done with musical notes and voice analysis by other
> schools and researchers of sound therapy.
>
> @@@@@@ We are still trying to understand if the rise and fall of the
> musical notes in the fundamental frequencies coming from the vocal
> chords in the Chromatic analysis and FFT analysis are similar or
> different to the rise and fall of the notes in the harmonics in the FFT
> peaks and valleys of the Harmonic Signature of the voice, which gives
> the special voice that distinguishs a individual. Try to decipher what
> it means, because in some persons it coincides and in others it does not.
>
> @@@@@@@@ All Rhythms COHERERENCE is believed to enhance the natural
> healing system.
>
> To recognize voice coherence could coincide with other body systems
> coherence, as with the heart coherence, brain coherence, breath
> coherence etc…. If we can relate and understand coherence as a
> vibrational principle, we can also learn to generate and help to obtain
> coherence and produce a natural healing state.
>
>
>
> Please, I am asking for some comments, because I would like to continue
> sharing,,, but will stop if I see nothing happens in this forum, I will
> take it as if there was no interest in all of this. And what comes next
> is what is really new and revolutionary,,, all about harmonics and
> harmonic Signature, when we can expect to see a peak rise in the
> fundamental frequencies or in the Harmonic signature. As well, as much
> proof that after a while taking a nutrient orally a peak belonging to a
> harmonic of its molecular weight will appear in the voice, in the
> fundamental frequencies or in the FFT Harmonic Signature, which does
> change slowly, meanwhile it has a certain stability most of the time.
>
> Till soon,
> love
> MarySol
>
> @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
> Voice analysis Software website: www.biosonic.org :Programa de analisis
> de voz
> PROFESSIONAL BLOG on WAVEFORM of the VOICE:
> http://ONDAdeFORMAdelaVOZ.blogspot.com
> Curriculum vitae: www.sacrocraneal.org/marysol
> Casa ahabah, camino de Cueva Negra 14, Apartado Postal 1406, Mojacar,
> Almeria, Spain,
> Tel: (34) 950168735, (34) 619228048, (34) 699987118
>
>
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