hello another page related to what I was mentioning as the Bell Curve...
http://www.biosonic.org/ManualEng/COHERENCEbellcurve.html,


MarySol Gonzalez Sterling escribió:
>
>
> Hi Kate,,, great to hear from you,,, so let me know where you feel the
> vowels.
> many graphics are in the Therapy Manual of the
> http://www.biosonic.org/ManualEng/Spirals.htm
> <http://www.biosonic.org/ManualEng/Spirals.htm> you have the spirals I am
> talking about, with notes and interpretations.
> and in the blog are other more recent graphics on FFT analysis,,, in
> this forum we decided not to have attachments.
> Yes many references as visuals will be found in that Therapy Manual in
> the bisonics site, but I also have many more and much graphical
> documentation in a Pro Manual with relationships to IChing, accupunture,
> iridiology, astrology which is most of my research that I share with my
> internet students, but we cannot go into so many things, eventhough
> graphically the basics are there,,, I always show things with many, many
> graphics, and also I do graphics of any important voice analysis I have
> done, I have an immense body of work graphically.
> Till soon,
> love
> MarySol
>
> Kate Marks escribió:
> >
> > Thanks for sharing----The vowell exercise is not new to me. What you
> > share below is very interesting but a little hard for me to follow----
> > A few visuals/illustrations would be helpful- like the placement of
> > notes around the circle etc.... I look forward to the time I can be
> > with you in person and learn from you.... Is there anyone in my area
> > who has studied with you?Keep continuing to share. THANKS Love and
> > blessings KATE
> >
> > -----Original Message-----
> > >From: MarySol Gonzalez Sterling <biosonica@...
> <mailto:biosonica%40retemail.es>
> > <mailto:biosonica%40retemail.es>>
> > >Sent: Jan 30, 2008 2:12 PM
> > >To: biosonic@yahoogroups.com <mailto:biosonic%40yahoogroups.com>
> <mailto:biosonic%40yahoogroups.com>
> > >Subject: [biosonic] new ways to look at voice analysis 3
> > >
> > >hello everyone,
> > >I guess you have done the exercise to feel the vowel sounds in the body
> > >and did not tell us, or you did not do it at all?????
> > >
> > >Ok, I continue to share, eventhough I would prefer to have some
> > >response, then I know that it is of interest to you, if not I might
> > >loose interest myself, and not share any more.
> > >
> > >STRUCTURE OF THE VOICE AND THE MUSICAL NOTES, COHERENCE AND INCOHERENCE
> > >
> > >@ We use 12 musical notes, 7 main musical notes and 5 sharp notes as
> > >transitions. If we place the 12 in a circle we can see which notes are
> > >in direct opposition to another, which we say it is an inverse, the
> > >place where a wave rises and in the other note the wave falls down.
> This
> > >premise of rising and falling is seeing in various ways, in the notes
> > >inverse or complementary colors, in a full octave that some notes
> are up
> > >rising and other notes are down loosing energy.
> > >
> > >@@ There is always 6 notes high in stress and 6 notes low in weakness,
> > >the same as a Yin Yang, and we can see this perfect wave rising and
> > >falling or it might show with cracks and flaws or it might show as a
> > >perfect coherent BELL CURVE, the same as the spectrum of the sun
> colors.
> > >Where all colors have the same amplitude and energy shown in two
> > >octaves, some are full in the middle of the rise while others have the
> > >same energy divided in two octaves. This bell curve rises up faster and
> > >slows down when it falls. We look at the coherence as this rise and
> > >fall, sudden ups and downs will be significant as incoherencies.
> > >
> > >@@@ We also have groups of 3 notes rising together that oppose one
> > >falling in the opposite side of the circle, and 3 notes falling that
> > >oppose one in the center of the middle that is rising, which we call
> > >Spirals 3+1-noted and 3-1+ notes. As a contracting centripetal Yang
> > >spiral and an expanding centrifugal Yin spiral. The way these two
> spiral
> > >relate to one another will also define the organs and accupunture
> > >meridians involved, as well as creating the wave rising and falling, as
> > >a more or less coherent relationship between opposing or inverse notes
> > >or complementary colors. These two spirals could be radial, one in
> front
> > >of the other, most coherent, if not they could be inclined as one
> > >slightly off, not being directly in front of the other in the
> circle, it
> > >is the normal incoherence. And also we see them in two levels of
> > >disperssed relationship, where only one note in the edge is opposing
> > >another note in the other edge of the opposing spiral, this has
> > >different levels of incoherence and then the wave doesnot rise and
> fall.
> > >
> > >@@@@ COHERENCE is a study that expresses harmony and stability,
> which is
> > >very hard to reach and very easy to loose. When we receive sound
> therapy
> > >the movement of the notes expresses itself with a temporary
> incoherence,
> > >something has changed and we will see a disorganization that is
> > >different from before and more incoherence and with time it will go
> back
> > >to what it was before or maintain some of the changes.
> > >Valuing different ways of incoherencies, due to notes, to octaves or to
> > >number of hits in the Chromatic will help in the future the programming
> > >of the software, so that it can do the work of the practitioner and
> take
> > >decissions of what is a worse voice or a better voice. We have seen 8
> > >types of incoherencies and have valued them with percentages, which
> need
> > >to be revised and do futher research before the programming can be
> > >implemented in the software.
> > >
> > >@@@@@ The relationship of musical notes to colors is done by
> multiplying
> > >by two starting in the number of frequency of the MidC octave until you
> > >reach the number of vibrations trillions of hertz belonging to the
> > >vibration of a color. We use the diatonic scale, because it is the
> > >closet to PHi progression. No oter scale has been proven to be best, so
> > >no decissions on why other scales should be used. And by x2 calculation
> > >we get that C is turquoise in radiated light, meanwhile it is red in
> > >absorbed light as pigment. Which is what the voice shows. This means
> > >that we need green-blue light to see an object as red, the
> green-blue is
> > >absorbed and the red is reflected. This relationship with Johann Goethe
> > >prism experiments has been related to the trigrams of the Iching, and
> > >then to the 5 elements and the 12 main accupunture meridians. These fit
> > >in the body in perfect synchronicity, the reds and warm colors are in
> > >the hands meridians and the cold and blue meridians in the feet. The
> > >routes used to energize o calm down are perfect in opposing toe and
> > >finger. Small toe kidney in cyan color opposing little finger for heart
> > >in red, yellow of the thumb for the lung opposes big toe in violet for
> > >the Spleen. The system is perfect and it also coincides with much
> of the
> > >empirical research done with musical notes and voice analysis by other
> > >schools and researchers of sound therapy.
> > >
> > >@@@@@@ We are still trying to understand if the rise and fall of the
> > >musical notes in the fundamental frequencies coming from the vocal
> > >chords in the Chromatic analysis and FFT analysis are similar or
> > >different to the rise and fall of the notes in the harmonics in the FFT
> > >peaks and valleys of the Harmonic Signature of the voice, which gives
> > >the special voice that distinguishs a individual. Try to decipher what
> > >it means, because in some persons it coincides and in others it
> does not.
> > >
> > >@@@@@@@@ All Rhythms COHERERENCE is believed to enhance the natural
> > >healing system.
> > >
> > >To recognize voice coherence could coincide with other body systems
> > >coherence, as with the heart coherence, brain coherence, breath
> > >coherence etc…. If we can relate and understand coherence as a
> > >vibrational principle, we can also learn to generate and help to obtain
> > >coherence and produce a natural healing state.
> > >
> > >
> > >
> > >Please, I am asking for some comments, because I would like to continue
> > >sharing,,, but will stop if I see nothing happens in this forum, I will
> > >take it as if there was no interest in all of this. And what comes next
> > >is what is really new and revolutionary,,, all about harmonics and
> > >harmonic Signature, when we can expect to see a peak rise in the
> > >fundamental frequencies or in the Harmonic signature. As well, as much
> > >proof that after a while taking a nutrient orally a peak belonging to a
> > >harmonic of its molecular weight will appear in the voice, in the
> > >fundamental frequencies or in the FFT Harmonic Signature, which does
> > >change slowly, meanwhile it has a certain stability most of the time.
> > >
> > >Till soon,
> > >love
> > >MarySol
> > >
> > >@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
> > >Voice analysis Software website: www.biosonic.org :Programa de analisis
> > >de voz
> > >PROFESSIONAL BLOG on WAVEFORM of the VOICE:
> > >http://ONDAdeFORMAdelaVOZ.blogspot.com
> <http://ONDAdeFORMAdelaVOZ.blogspot.com>
> > <http://ONDAdeFORMAdelaVOZ.blogspot.com
> <http://ONDAdeFORMAdelaVOZ.blogspot.com>>
> > >Curriculum vitae: www.sacrocraneal.org/marysol
> > >Casa ahabah, camino de Cueva Negra 14, Apartado Postal 1406, Mojacar,
> > >Almeria, Spain,
> > >Tel: (34) 950168735, (34) 619228048, (34) 699987118
> > >
> > >
> > >To Post a message, send it to: biosonic@yahoogroups.com
> <mailto:biosonic%40yahoogroups.com>
> > <mailto:biosonic%40yahoogroups.com>
> > >
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> > >
> > >
> > >
> >
> > Kate Marks
> >
> >
>
>