Hi Kate,,, great to hear from you,,, so let me know where you feel the
vowels.
many graphics are in the Therapy Manual of the
http://www.biosonic.org/ManualEng/Spirals.htm you have the spirals I am
talking about, with notes and interpretations.
and in the blog are other more recent graphics on FFT analysis,,, in
this forum we decided not to have attachments.
Yes many references as visuals will be found in that Therapy Manual in
the bisonics site, but I also have many more and much graphical
documentation in a Pro Manual with relationships to IChing, accupunture,
iridiology, astrology which is most of my research that I share with my
internet students, but we cannot go into so many things, eventhough
graphically the basics are there,,, I always show things with many, many
graphics, and also I do graphics of any important voice analysis I have
done, I have an immense body of work graphically.
Till soon,
love
MarySol

Kate Marks escribió:
>
> Thanks for sharing----The vowell exercise is not new to me. What you
> share below is very interesting but a little hard for me to follow----
> A few visuals/illustrations would be helpful- like the placement of
> notes around the circle etc.... I look forward to the time I can be
> with you in person and learn from you.... Is there anyone in my area
> who has studied with you?Keep continuing to share. THANKS Love and
> blessings KATE
>
> -----Original Message-----
> >From: MarySol Gonzalez Sterling <biosonica@...
> <mailto:biosonica%40retemail.es>>
> >Sent: Jan 30, 2008 2:12 PM
> >To: biosonic@yahoogroups.com <mailto:biosonic%40yahoogroups.com>
> >Subject: [biosonic] new ways to look at voice analysis 3
> >
> >hello everyone,
> >I guess you have done the exercise to feel the vowel sounds in the body
> >and did not tell us, or you did not do it at all?????
> >
> >Ok, I continue to share, eventhough I would prefer to have some
> >response, then I know that it is of interest to you, if not I might
> >loose interest myself, and not share any more.
> >
> >STRUCTURE OF THE VOICE AND THE MUSICAL NOTES, COHERENCE AND INCOHERENCE
> >
> >@ We use 12 musical notes, 7 main musical notes and 5 sharp notes as
> >transitions. If we place the 12 in a circle we can see which notes are
> >in direct opposition to another, which we say it is an inverse, the
> >place where a wave rises and in the other note the wave falls down. This
> >premise of rising and falling is seeing in various ways, in the notes
> >inverse or complementary colors, in a full octave that some notes are up
> >rising and other notes are down loosing energy.
> >
> >@@ There is always 6 notes high in stress and 6 notes low in weakness,
> >the same as a Yin Yang, and we can see this perfect wave rising and
> >falling or it might show with cracks and flaws or it might show as a
> >perfect coherent BELL CURVE, the same as the spectrum of the sun colors.
> >Where all colors have the same amplitude and energy shown in two
> >octaves, some are full in the middle of the rise while others have the
> >same energy divided in two octaves. This bell curve rises up faster and
> >slows down when it falls. We look at the coherence as this rise and
> >fall, sudden ups and downs will be significant as incoherencies.
> >
> >@@@ We also have groups of 3 notes rising together that oppose one
> >falling in the opposite side of the circle, and 3 notes falling that
> >oppose one in the center of the middle that is rising, which we call
> >Spirals 3+1-noted and 3-1+ notes. As a contracting centripetal Yang
> >spiral and an expanding centrifugal Yin spiral. The way these two spiral
> >relate to one another will also define the organs and accupunture
> >meridians involved, as well as creating the wave rising and falling, as
> >a more or less coherent relationship between opposing or inverse notes
> >or complementary colors. These two spirals could be radial, one in front
> >of the other, most coherent, if not they could be inclined as one
> >slightly off, not being directly in front of the other in the circle, it
> >is the normal incoherence. And also we see them in two levels of
> >disperssed relationship, where only one note in the edge is opposing
> >another note in the other edge of the opposing spiral, this has
> >different levels of incoherence and then the wave doesnot rise and fall.
> >
> >@@@@ COHERENCE is a study that expresses harmony and stability, which is
> >very hard to reach and very easy to loose. When we receive sound therapy
> >the movement of the notes expresses itself with a temporary incoherence,
> >something has changed and we will see a disorganization that is
> >different from before and more incoherence and with time it will go back
> >to what it was before or maintain some of the changes.
> >Valuing different ways of incoherencies, due to notes, to octaves or to
> >number of hits in the Chromatic will help in the future the programming
> >of the software, so that it can do the work of the practitioner and take
> >decissions of what is a worse voice or a better voice. We have seen 8
> >types of incoherencies and have valued them with percentages, which need
> >to be revised and do futher research before the programming can be
> >implemented in the software.
> >
> >@@@@@ The relationship of musical notes to colors is done by multiplying
> >by two starting in the number of frequency of the MidC octave until you
> >reach the number of vibrations trillions of hertz belonging to the
> >vibration of a color. We use the diatonic scale, because it is the
> >closet to PHi progression. No oter scale has been proven to be best, so
> >no decissions on why other scales should be used. And by x2 calculation
> >we get that C is turquoise in radiated light, meanwhile it is red in
> >absorbed light as pigment. Which is what the voice shows. This means
> >that we need green-blue light to see an object as red, the green-blue is
> >absorbed and the red is reflected. This relationship with Johann Goethe
> >prism experiments has been related to the trigrams of the Iching, and
> >then to the 5 elements and the 12 main accupunture meridians. These fit
> >in the body in perfect synchronicity, the reds and warm colors are in
> >the hands meridians and the cold and blue meridians in the feet. The
> >routes used to energize o calm down are perfect in opposing toe and
> >finger. Small toe kidney in cyan color opposing little finger for heart
> >in red, yellow of the thumb for the lung opposes big toe in violet for
> >the Spleen. The system is perfect and it also coincides with much of the
> >empirical research done with musical notes and voice analysis by other
> >schools and researchers of sound therapy.
> >
> >@@@@@@ We are still trying to understand if the rise and fall of the
> >musical notes in the fundamental frequencies coming from the vocal
> >chords in the Chromatic analysis and FFT analysis are similar or
> >different to the rise and fall of the notes in the harmonics in the FFT
> >peaks and valleys of the Harmonic Signature of the voice, which gives
> >the special voice that distinguishs a individual. Try to decipher what
> >it means, because in some persons it coincides and in others it does not.
> >
> >@@@@@@@@ All Rhythms COHERERENCE is believed to enhance the natural
> >healing system.
> >
> >To recognize voice coherence could coincide with other body systems
> >coherence, as with the heart coherence, brain coherence, breath
> >coherence etc…. If we can relate and understand coherence as a
> >vibrational principle, we can also learn to generate and help to obtain
> >coherence and produce a natural healing state.
> >
> >
> >
> >Please, I am asking for some comments, because I would like to continue
> >sharing,,, but will stop if I see nothing happens in this forum, I will
> >take it as if there was no interest in all of this. And what comes next
> >is what is really new and revolutionary,,, all about harmonics and
> >harmonic Signature, when we can expect to see a peak rise in the
> >fundamental frequencies or in the Harmonic signature. As well, as much
> >proof that after a while taking a nutrient orally a peak belonging to a
> >harmonic of its molecular weight will appear in the voice, in the
> >fundamental frequencies or in the FFT Harmonic Signature, which does
> >change slowly, meanwhile it has a certain stability most of the time.
> >
> >Till soon,
> >love
> >MarySol
> >
> >@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
> >Voice analysis Software website: www.biosonic.org :Programa de analisis
> >de voz
> >PROFESSIONAL BLOG on WAVEFORM of the VOICE:
> >http://ONDAdeFORMAdelaVOZ.blogspot.com
> <http://ONDAdeFORMAdelaVOZ.blogspot.com>
> >Curriculum vitae: www.sacrocraneal.org/marysol
> >Casa ahabah, camino de Cueva Negra 14, Apartado Postal 1406, Mojacar,
> >Almeria, Spain,
> >Tel: (34) 950168735, (34) 619228048, (34) 699987118
> >
> >
> >To Post a message, send it to: biosonic@yahoogroups.com
> <mailto:biosonic%40yahoogroups.com>
> >
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> >
> >
> >
>
> Kate Marks
>
>