Thanks for sharing----The vowell exercise is not new to me. What you share
below is very interesting but a little hard for me to follow---- A few
visuals/illustrations would be helpful- like the placement of notes around the
circle etc.... I look forward to the time I can be with you in person and learn
from you.... Is there anyone in my area who has studied with you?Keep continuing
to share. THANKS Love and blessings KATE

-----Original Message-----
>From: MarySol Gonzalez Sterling <biosonica@...>
>Sent: Jan 30, 2008 2:12 PM
>To: biosonic@yahoogroups.com
>Subject: [biosonic] new ways to look at voice analysis 3
>
>hello everyone,
>I guess you have done the exercise to feel the vowel sounds in the body
>and did not tell us, or you did not do it at all?????
>
>Ok, I continue to share, eventhough I would prefer to have some
>response, then I know that it is of interest to you, if not I might
>loose interest myself, and not share any more.
>
>STRUCTURE OF THE VOICE AND THE MUSICAL NOTES, COHERENCE AND INCOHERENCE
>
>@ We use 12 musical notes, 7 main musical notes and 5 sharp notes as
>transitions. If we place the 12 in a circle we can see which notes are
>in direct opposition to another, which we say it is an inverse, the
>place where a wave rises and in the other note the wave falls down. This
>premise of rising and falling is seeing in various ways, in the notes
>inverse or complementary colors, in a full octave that some notes are up
>rising and other notes are down loosing energy.
>
>@@ There is always 6 notes high in stress and 6 notes low in weakness,
>the same as a Yin Yang, and we can see this perfect wave rising and
>falling or it might show with cracks and flaws or it might show as a
>perfect coherent BELL CURVE, the same as the spectrum of the sun colors.
>Where all colors have the same amplitude and energy shown in two
>octaves, some are full in the middle of the rise while others have the
>same energy divided in two octaves. This bell curve rises up faster and
>slows down when it falls. We look at the coherence as this rise and
>fall, sudden ups and downs will be significant as incoherencies.
>
>@@@ We also have groups of 3 notes rising together that oppose one
>falling in the opposite side of the circle, and 3 notes falling that
>oppose one in the center of the middle that is rising, which we call
>Spirals 3+1-noted and 3-1+ notes. As a contracting centripetal Yang
>spiral and an expanding centrifugal Yin spiral. The way these two spiral
>relate to one another will also define the organs and accupunture
>meridians involved, as well as creating the wave rising and falling, as
>a more or less coherent relationship between opposing or inverse notes
>or complementary colors. These two spirals could be radial, one in front
>of the other, most coherent, if not they could be inclined as one
>slightly off, not being directly in front of the other in the circle, it
>is the normal incoherence. And also we see them in two levels of
>disperssed relationship, where only one note in the edge is opposing
>another note in the other edge of the opposing spiral, this has
>different levels of incoherence and then the wave doesnot rise and fall.
>
>@@@@ COHERENCE is a study that expresses harmony and stability, which is
>very hard to reach and very easy to loose. When we receive sound therapy
>the movement of the notes expresses itself with a temporary incoherence,
>something has changed and we will see a disorganization that is
>different from before and more incoherence and with time it will go back
>to what it was before or maintain some of the changes.
>Valuing different ways of incoherencies, due to notes, to octaves or to
>number of hits in the Chromatic will help in the future the programming
>of the software, so that it can do the work of the practitioner and take
>decissions of what is a worse voice or a better voice. We have seen 8
>types of incoherencies and have valued them with percentages, which need
>to be revised and do futher research before the programming can be
>implemented in the software.
>
>@@@@@ The relationship of musical notes to colors is done by multiplying
>by two starting in the number of frequency of the MidC octave until you
>reach the number of vibrations trillions of hertz belonging to the
>vibration of a color. We use the diatonic scale, because it is the
>closet to PHi progression. No oter scale has been proven to be best, so
>no decissions on why other scales should be used. And by x2 calculation
>we get that C is turquoise in radiated light, meanwhile it is red in
>absorbed light as pigment. Which is what the voice shows. This means
>that we need green-blue light to see an object as red, the green-blue is
>absorbed and the red is reflected. This relationship with Johann Goethe
>prism experiments has been related to the trigrams of the Iching, and
>then to the 5 elements and the 12 main accupunture meridians. These fit
>in the body in perfect synchronicity, the reds and warm colors are in
>the hands meridians and the cold and blue meridians in the feet. The
>routes used to energize o calm down are perfect in opposing toe and
>finger. Small toe kidney in cyan color opposing little finger for heart
>in red, yellow of the thumb for the lung opposes big toe in violet for
>the Spleen. The system is perfect and it also coincides with much of the
>empirical research done with musical notes and voice analysis by other
>schools and researchers of sound therapy.
>
>@@@@@@ We are still trying to understand if the rise and fall of the
>musical notes in the fundamental frequencies coming from the vocal
>chords in the Chromatic analysis and FFT analysis are similar or
>different to the rise and fall of the notes in the harmonics in the FFT
>peaks and valleys of the Harmonic Signature of the voice, which gives
>the special voice that distinguishs a individual. Try to decipher what
>it means, because in some persons it coincides and in others it does not.
>
>@@@@@@@@ All Rhythms COHERERENCE is believed to enhance the natural
>healing system.
>
>To recognize voice coherence could coincide with other body systems
>coherence, as with the heart coherence, brain coherence, breath
>coherence etc…. If we can relate and understand coherence as a
>vibrational principle, we can also learn to generate and help to obtain
>coherence and produce a natural healing state.
>
>
>
>Please, I am asking for some comments, because I would like to continue
>sharing,,, but will stop if I see nothing happens in this forum, I will
>take it as if there was no interest in all of this. And what comes next
>is what is really new and revolutionary,,, all about harmonics and
>harmonic Signature, when we can expect to see a peak rise in the
>fundamental frequencies or in the Harmonic signature. As well, as much
>proof that after a while taking a nutrient orally a peak belonging to a
>harmonic of its molecular weight will appear in the voice, in the
>fundamental frequencies or in the FFT Harmonic Signature, which does
>change slowly, meanwhile it has a certain stability most of the time.
>
>Till soon,
>love
>MarySol
>
>@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
>Voice analysis Software website: www.biosonic.org :Programa de analisis
>de voz
>PROFESSIONAL BLOG on WAVEFORM of the VOICE:
>http://ONDAdeFORMAdelaVOZ.blogspot.com
>Curriculum vitae: www.sacrocraneal.org/marysol
>Casa ahabah, camino de Cueva Negra 14, Apartado Postal 1406, Mojacar,
>Almeria, Spain,
>Tel: (34) 950168735, (34) 619228048, (34) 699987118
>
>
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Kate Marks