Hello, Michael,
Good news! It worked. Got your email just fine when I checked in this morning.
So it seems you are back on track with the email communication. What a relief
for you, and a good thing for everyone else!
Talk to you soon.
Toni
mheleus <mheleus@...> wrote:
Hi Toni,
I've had a problem for some time doing diret replies to this forum from yahoo,
and
Marysol doesn't see any reason why either, so suggested I try a test, so I'm
replying to you
this way and hoope that you may recieve it promptly. Relaying evertything thru
Marysol is
to time consuming for her especiallly. If necessary, I'd simply write you at
your yahoo
address. Thanks much for the good news about the mic avaiilablity. Getting to
bleary to
say more tonite,
Michael
--- In biosonic@yahoogroups.com, Toni Hess <am_hess@...> wrote:
>
> Dear Michael,
>
> I too am fascinated by the possible correlations between astronomy/astrology
and
sound, particularly now also with the harmonic signature which I soon hope to
be able to
recognize and understand when I learn with Marysol. I have wondered why the
music of
certain composers resonates lifelong with some people; why certain music is
satisfying to
them only for periods of time. Is it associated with developmental stages
and/or "chakra"
ages? I think it is interesting to look at (in both western and vedic
astrology) what is
going on. I am not an expert on astrology, but I have many books and have been
reading
for years.
>
> The AKG D550 I just started using came from Pro Audio Solutions
proaudiosolutions.com) in Nashville Tennessee. They claim that they have no
problem
supplying this microphone. Interesting, yes?
>
> Then I got a Griffin GarageBand 3105-XLR cord to go from the microphone
directly into
the computer (no pre-amp necessary). This Griffin cord seems to be a
relatively new
product. It wasn't listed in Griffin's spring catalog and it was not listed on
their european
site. There are plenty around, though, directly from Griffin (also in
Tennessee) and from
Amazon. Since I can afford only the simplest system at the moment, this setup
really
seems to be excellent for immidiate purposes.
>
> Namaste
>
> Michael Heleus <mheleus@...> wrote: Hi
Marysol,
>
> It was good to speak with you today after such a long
> while!
>
> Welcome to the real world of vanishing high-quality
> hi-tech--I mean here that AKG D550 mic which is no
> longer made, hard to find remaining units, and is the
> only item that will be adequate for your purpose. In
> my own search for replacement equipment to do
> astrosonics over several years I have found what I
> needed no longer made, and replacements are in
> museums. The only remaining alternative new all
> digital methods have some serious downsides not
> recognized much yet, much less adequately fixed.
>
> I'm writing here mainly about the basal harmonic
> signature you have found, which based on my work with
> Laurel Keyes' Toning as related to astrosonics I can
> see will very likely be composed of the main
> astrosonic frequencies from the most emphasized
> aspects of a person's chart, and am wondering how this
> can be compared with the similarly fixed and
> characteristic microrhythm signature that Dr. Manfred
> Clynes has found very significant composers all have,
> an essentic signature as he calls it described at
> microsoundmusic.com. I rate his discovery highly as
> the most significant advance so far to understanding
> why some performances of a given composer are more
> realistically and authentically recognizable as a
> those of that given significant composer.
> We are here comparing a set of frequencies as
> Marysol's signature with a set of timing modulation
> envelopes in Clyne's essentic signature--which is an
> indicator of the composer's characteristic emotional
> set on 4 stacked levels that uniquely characterize the
> composer and when imposed on a performance of that
> composer, render it authentic. I think there is an
> equivalence worth much study here because a rhythm
> speeded up becomes a timbre, a fundamental frequency
> and upper partial non-integer harmonic set. This means
> an essentic signature should be convertible to a
> timbre which could be compared to Marysol's signatures
> converted into a timbre by taking the lowest
> componenet frequency and additively synthesizing a
> fourier sum of the remaining frequencies as upper
> partials each taken with an amplitude relative to that
> found for the frequency in the signature.
>
> The comparison of the two types of signature would
> provide a key to the generators emotional dynamics.
>
> I am suggesting checking this as a future project when
> there may be sufficient time and interest after your
> first netclass for the new software.
>
> Michael
>
> --- Marysol Gonzalez Sterling <biosonica@...>
> wrote:
>
> > Hello everyone again,
> > I have talked to you about microphones and have
> > talked about AKG D550 which is the one I use for the
> > FFT. ANd also I have tried measurements condenser
> > mic Behringer ecm8000. Well, not only we need a
> > Phantom Power 48v to function with our computers
> > with condenser mics, but it will not show the
> > Harmonic Signature.... Of course I am talking about
> > software for voice analysis that reaches de 11khz
> > range, if not many mics would work ok. What we are
> > looking is at high frequencies and the Mics
> > response. Behringer ECM8000 even if is an excelent
> > mic for measurement with a flat frequency response
> > will not work for our purpose. It falls away in the
> > region of the Harmonic SIgnature. I still have not
> > found a good substitute for the AKG D550 bass drum
> > mic that has a 10db increase from 3 to 8khz at
> > least. This mic has been discontinued manufacturing,
> > even though maybe we have found enough to supply the
> > students for the internet course.
> > I have tested more than 10 special mics, condenser
> > mics and dynamic mics. None do what the AKG D550
> > does.
> > If any of you want to enter the research with me,,
> > write to me and I will send you the frequency
> > specifications. Or if any of you would know of a
> > similar mic please let me know and send me the
> > specificationa and Graph of Frequency response. And
> > I will send you to your email the specs of this one.
> >
> > I still have to try some other drums, flat response
> > except an increase of 8% in that frequency range.
> > I still hope there should be another brand that
> > would serve our purpose.
> >
> > Why look at the Harmonic Signature?????
> > Because is the most stable frequency peaks and
> > stringers we can find in the voice,, probably is a
> > karmic condition and a chronic situation. It
> > appears one and again, even if the musical notes,
> > stressed or low are different., high excited voice
> > or low depressed voice.. This is the enveloping
> > enclosure of the harmonics stemming from our
> > resonant box of mouth, teeth and tongue. Voice
> > recognition specialists know about it, but their
> > actual job is more that our voice and commands are
> > understood by computer technology. The only other
> > interested in the Harmonic Signature are the police,
> > because even if one muffles and changes the voice,
> > the Harmonic SIgnatue will be there. IT IS THE
> > WAVEFORM BELONGING TO THE ENERGY AND PECULIARITY OF
> > A PERSON.
> > Anyway, I hope this is of interest for all of you,,,
> > I cannot say much more because that will only given
> > out to my students.
> > I am anyway opened to any discussion or questiona
> > about this subject.
> > Till soon,
> > Love,
> > Marysol
> >
> > @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
> > WEB:< <www.biosonic.org>>....
> > CASA AHABAH, Camino de Cueve Negra 14, Apartado
> > Postal 1406, Mojacar, Almeria 04638 SPAIN
> > TEL: 34-950168735,,,, 34-699987118,,,,34-619228048
> >
> > [Non-text portions of this message have been
> > removed]
> >
> >
>
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