FAO Owens, Justine,,

I would be most interested in corresponding with u on this matter. Please would
u e mail me on gordon@...

All the best

Gordon Dagarno of Sounds Healthy

----- Original Message -----
From: Owens, Justine E. *HS
To: biosonic@yahoogroups.com ; biosonic@yahoogroups.com ;
TRUTHsound@yahoogroups.com ; photonic@yahoogroups.com ;
biosonicsystem@yahoogroups.com
Sent: Sunday, November 26, 2006 12:25 PM
Subject: RE: [biosonic] good news BIOSONIC FFT


Hi Marysol,
Great to hear from you and that your are still working on the FFT program. As
you know I have looked at the higher octaves of the voice FFT and agree that
these are very important in obtaining the complete signature. I am curious how
you derive the unchanging karma interpretation. I was just looking at the
results of a little experiment I did with six people, looking at the effects on
voice and energy field after listening to a live performance of ancient flute
music. The upper harmonics were greatly diminished and changed shape in most
listeners. I interpreted that as the voices shifted down to a lower, sort of
hushed tone, evoking the sacred feeling of the performance.

Anyway, I am glad you are still working away at all of this. I am still
interested in submitting a voice grant proposal to move this work forward in a
concentrated way.

Love,
justine

________________________________

From: biosonic@yahoogroups.com on behalf of Marysol Gonzalez Sterling
Sent: Fri 11/24/2006 1:46 PM
To: biosonic@yahoogroups.com; TRUTHsound@yahoogroups.com;
photonic@yahoogroups.com; biosonicsystem@yahoogroups.com
Subject: [biosonic] good news BIOSONIC FFT

Hello old friends,
I am still alive, it has been a whole year where I have gone through a lot of
disconfort and strange happenings, and now I have much to give and share in our
particular field.
I am pleased to let you know that Eduard is about to finish the FFT module for
the Biosonic software. We still have months to go to release it for sale, I
still have to do the video tutorials and manual.
I am using it to discover new ways of looking at voice analysis.
So far this FFT reaches 11000hz and that favours us to see the harmonic
signature design of every individual person.
The harmonic signature is in the higher harmonics and is particular for each
individual, as it is the unchangeble karma. These harmonics come out from the
shape of the cavity of the mouth and toungue, it makes the tone specific
belonging to that person, so they are the frequencies that make you recognize
the voice of an individual. This design does not change even if the stressed
notes change. I have been studying with voice recognition specialists, speech
therapists and speech doctors to know and understand things we had forgotton to
look at or left out.
Everybody seems to continue to bring down frequencies to octave-4, which was
only useful to deliver sound, as it is more relaxing that other higher octaves.
Not realizing that in 20hz or others of that octave, we have multiple of higher
frequencies relating to it, so it simplyfies things to a maximum. Because of
this most practitiones have not been looking into the molecular weight exact
number and relate it to fundamental frequencies from the vocal chords, nor the
harmonics of these and the relationship they might have with other harmonics
belonging to other frequencies. I am looking into this and have been studiying
harmonics for years with the heart EKG and the brain EEG as well. After all is
the way the universe relates everything to everything else, small to large,
micro to macrocosmos.
I will be sending graphics of the software and I hope it opens your interest,
so we can continue sharing.
much love,
Marysol

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