Dear Marysol,
I recently learned about this scale as well. I attempted to construct the
notes of the scale based on natural harmonic of C 528 hz using ratios. I
came up with:
G 396
a note between A flat (412.5) and A(429) 101th harmonic of C 264 : 417
C 528:
a note between E flat and D sharp (643.5) ( 155th harmonic of c 264): 639
a note between F# and G flat (742.5) ( 359th harmonic of C 264) : 741
Pythagorian A (426.7) : 852
So I agree with Marcelo. This seems rather suspect. I'm not sure how they
would have tuned to these frequencies. Also the fact that the first note of
the scale is the G, or 5th of C 528. If the fundamental was the G, the
harmonic relationships would be even more strange.
I contacted SomaEnergetics to find the source of the statement that 528hz
repairs DNA. They replied: "We think it is from Discover Magazine - don't
know what issue.

Here is the article as reprinted in our manual..."

I have not as yet been able to verify this info. But here is the reprint
they sent me.
Paul

DNA Repair Frequency Intrigues Scientists and Religious Scholars



CLARK FORK, ID-Dr. Joseph Barber was driving home one evening when, quite
unexpectedly, a series of numbers appeared on his windshield. The
naturopathic physician, minister of the gospel, and avid biological sciences
investigator, spent the next three years researching their meaning.



History and findings are re-posted in a new book written by Harvard graduate
and public health authority Dr. Leonard Horowitz entitled, Healing Codes for
the Biological Apocalypse - a work certain to gain international attention
and the scrutiny of religious scholars, physicists, geneticists, and
musicians alike.



According to the text, Dr. Barber was intuitively and spiritually guided to
find a pattern of six repeating codes in the Book of Numbers, Chapter 7,
verses 12 through 83. When deciphered using the ancient Pythagorean method
of reducing the verse numbers to their single digit integers, the codes
revealed a series of six electromagnetic sound frequencies that correspond
to the six missing tones of the ancient Solfeggio scale. These original
sound frequencies were apparently used in the great hymn to St. John the
Baptist, along with other Gregorian chants, that church authorities say were
lost centuries ago. The chants and their special tones were believed to
impart tremendous spiritual blessings when sung in harmony during religious
masses. Physicists and musicians alike recognize some of the six tones in
this extremely unique interrelated series of electromagnetic sound
frequencies that include harmonic sequences similar to those found in the
"wedding march."



The second tone, "RE"-short for "resonare fibris" or resonance-correlates
mathematically to 144,000, the number of people predicted in the Book of
Revelation to be gathered by God to sing a special song heralding the
Messianic age.



The first note "UT-quent laxis" has a frequency of 396 cycles per second and
associated with a "magnetic field strength equal to 10-5 power gauss."



The third note, frequency 528, relates to the note "Ml" on the scale and
derives from the phrase "MI-ra gestorum" in Latin meaning "miracle."
Stunningly, this is the exact frequency used by genetic bio- chemists to
repair broken DNA-the genetic blueprint upon which life is based!


----- Original Message -----
From: "Marcelo Guerra" <mguerrar@...>
To: <biosonic@yahoogroups.com>
Sent: Tuesday, March 23, 2004 9:05 PM
Subject: Re: [biosonic] The Powerful Solfeggio Frequencies:


> Dear Marysol
> I have been playing with this scale for a couple of months now. Even when
> the frequencies do have a certain feel, I still don't quite understand
what
> is so unique to these tones and why they say that the tones were hidden.
>
> It seems that most of the tones are pretty common at the A=440 tuning.
Take
> a look:
>
> Solffegio scale.
> Nota Hz
> UT 396 Liberating Guilt and Fear 396= G at A/440
>
> RE 417 Undoing Situations and Facilitating Change 416=G# at A/440
>
> MI 528 Transformation and Miracles (DNA Repair) 528= C at A/440
>
> FA 639 Connecting/Relationships 627= Eb at A/440
>
> SOL 741 Awakening Intuition 748=F# at A/440
>
> LA 852 Returning to Spiritual Order 836=G# at A /440
>
> Also, these notes have very differing intervals between each other as you
> can see, so I don't quite see this as a scale or a progression that can be
> used to create music with.
> I have read some of Dr. Horowitz material and he seems to me always
> catastrophic in his comments/forecasts, and not very clear. So, I need
help
> to try to understand where the real power of such frequencies may lie.
> For instance, in all internet information I have found about these
> frequencies, they always say the same phrase: 528 is used to repair DNA...
> But so far, I have not find any connection to that. In which way it is
used?
> what happens to the DNA? etc. etc...
> Can you throw some light and illuminate my ignorance?
>
> Love
> Marcelo
>
>
>
> ----- Original Message -----
> From: "Marysol Gonzalez Sterling" <biosonica@...>
> To: <biosonic@yahoogroups.com>
> Cc: <TRUTHsound@yahoogroups.com>
> Sent: Tuesday, March 23, 2004 6:25 PM
> Subject: [biosonic] The Powerful Solfeggio Frequencies:
>
>
> > The Powerful Solfeggio Frequencies: Why These Ancient Tones Were
> 'Lost'
> >
> > By Lyndsey Watson / Sound Therapist and Director of the River of
> Song Center for Vibrational Balance
> > The tones of the Ancient Solfeggio Scale had been given to the
> church many years ago for a very spiritual purpose. People came to Mass
> which, at the time, was done in Latin. When people sang these musical
tones
> (usually in chants), it was very powerful - they cut through all of the
> limited thought forms into the deeper levels of the subconscious,
accessing
> insights beyond belief systems. It seems that simply because the
frequencies
> of the tones within the scale facilitated vibrational healing states and
> higher awareness in the masses who sang them, the Church eventually
> suppressed the use of the special frequencies. In addition, the Church
> originally commissioned over 150 chants (Gregorian) that utilized the
tones.
> However, in approximately 1050 A.D. the Church purged or "lost" the
chants,
> most likely not intending to, but nonetheless denying the masses the
> opportunity for their own vibrational healing through sacred sound.
> Consequently, the stage was set for vibrational disharmony in people's
lives
> via sound frequency.
> >
> > The Powerful Solfeggio Frequencies: Why These Ancient Tones Were
'Lost'
> >
> > By Lyndsey Watson
> > Sound Therapist and Director of the River of Song Center for
Vibrational
> Balance
> >
> >
> > "You're only as sick as your secrets," I remember a good friend in
early
> recovery telling me. Well, I now know this goes for the whole human race.
I
> recently found out about one big centuries-old secret that isn't secret
any
> longer thanks to Dr. Joseph Puleo whose mystical story is captured in a
book
> called The Healing Codes of Biological Apocalypse by Dr. Leonard Horowitz.
> >
> > In my quest as a sound therapist, I have always been drawn to tuning
> forks. In the early days of my fledgling practice, I experienced many but
> didn't actually purchase any to add to my practice. Then, in 2001 by
chance
> (right!), I had the privilege to experience some specialized tuning forks
> calibrated to the frequencies of the Ancient Solfeggio Scale. You know how
> you just KNOW when something is right for you? You resonate with it. Why
> these tones resonated with me became very clear when I learned about the
> secret.
> >
> > So what is it about this secret that Dr. Puleo uncovered? As I
> understand it through my studies with David Hulse, D.D. (originator of
> SomaEnergeticsT) the tones of the Ancient Solfeggio Scale had been given
to
> the church many years ago for a very spiritual purpose. People came to
Mass
> which, at the time, was done in Latin. When people sang these musical
tones
> (usually in chants), it was very powerful - they cut through all of the
> limited thought forms into the deeper levels of the subconscious,
accessing
> insights beyond belief systems. It seems that simply because the
frequencies
> of the tones within the scale facilitated vibrational healing states and
> higher awareness in the masses who sang them, the Church eventually
> suppressed the use of the special frequencies. In addition, the Church
> originally commissioned over 150 chants (Gregorian) that utilized the
tones.
> However, in approximately 1050 A.D. the Church purged or "lost" the
chants,
> most likely not intending to, but nonetheless denying the masses the
> opportunity for their own vibrational healing through sacred sound.
> Consequently, the stage was set for vibrational disharmony in people's
lives
> via sound frequency.
> >
> > At the same time, instruments which used to play music in these sacred
> tones were tuned using a method called "Just Intonation". Beginning in the
> 16th century, however, the tuning method began evolving into what is
> currently used today in all music of the Western world - the "12-Tone
Equal
> Temperament Method." Why is this important for us to know? Surprisingly,
> altering the tuning method changed the frequency of musical tones; and
> different tonal frequencies affect the energy systems of our body, our
> health and our well-being in much the same way that high-voltage
> transmitters, microwave ovens and televisions do.
> >
> > Naturally, the alteration of these frequencies weakened the spiritual
> impact of the Church's hymns. According to Professor Willi Apel (as
reported
> in Healing Codes for the Biological Apocalypse, "Because the music held
> mathematical resonance, frequencies capable of spiritually inspiring
mankind
> to be more 'God-like', the changes affected alterations in conceptual
> thought as well, further distancing humanity from God."
> >
> > In the book The Just Intonation Primer, the author David B. Doty shows
> that if the quality of compositions that are keyed to the ancient "Just
> Intonation" method could be described, such terms as "clarity", "purity",
> "smoothness", and "stability" come readily to mind. He further observed
that
> music composed to fit the "12-Tone Equal Temperament" method (the tuning
> method utilized for the last 250 years) sounds "rough", "restless" or
> "muddy" in comparison. Because there are limited musical combinations
> available to composers with the current method, it essentially places
music
> "in a box of limitation". Consequently, since all music in our
contemporary
> world (from commercials to modern hymns and symphonies) has been composed
to
> utilize the "12-Tone Equal Temperament" method, they all have vibrational
> limits. As a result, the limited vibrational frequency of the tones of
> modern music can create situations such as "boxed in thinking", stuffed
and
> suppressed emotions and fear-based "lack" consciousness - all of which
tend
> to manifest into physical symptoms of "dis-ease". Our modern music may be
> "music to your ears", but it was originally intended to be music for the
> soul, or the "secret ear.", according to Dr. Hulse.
> >
> > So now I understand my attraction to the tuning forks calibrated to
> these once "lost" frequencies. The tones naturally stimulate the vibration
> of expanded creativity, easier problem solving and holistic health. The
> potential exists for us to change our wellbeing and that of our world by
the
> reintroduction of these ancient tones and tuning method. (Currently, an
> example of this is already showing up in present-day application via the
528
> hz frequency - MI in the Solfeggio Scale - which is being utilized by
> researchers to repair genetic DNA in the laboratory.) How exciting is
that?!
> >
> > The secret is out - thank goodness nothing stays hidden from the human
> spirit forever. It is my hope that our collective vibration will be raised
> significantly simply by being informed of the "lost" Ancient Solfeggio
> frequencies and bringing them back into our bodies whether by singing,
> chanting, toning - or tuning forks.
> >
> > Lyndsey Watson is the founder and director of the River of Song Center
> for Vibrational Balance in Wrentham, MA (www.riverofsong.com). She is a
> certified Level III SomaEnergeticsT practioner and instructor, and a
> certified SpiritSongT teacher trained by Mary Elizabeth Wheeler and Shawna
> Carol. She has been in private practice, leading song circles and
practicing
> spirit singing herself for ten years. Lyndsey is also an ordained minister
> and professional singer/songwriter (her CD VibraChant, utilizing the
ancient
> frequencies, is available on her website.
> >
> > a.. return to ByRegion.net home
> > http://www.byregion.net/articles-healers/Frequencies.html
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > To Post a message, send it to: biosonic@yahoogroups.com
> >
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> >
> >
> >
> >
> >
>
>
>
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