Dear Marysol
I have been playing with this scale for a couple of months now. Even when
the frequencies do have a certain feel, I still don't quite understand what
is so unique to these tones and why they say that the tones were hidden.

It seems that most of the tones are pretty common at the A=440 tuning. Take
a look:

Solffegio scale.
Nota Hz
UT 396 Liberating Guilt and Fear 396= G at A/440

RE 417 Undoing Situations and Facilitating Change 416=G# at A/440

MI 528 Transformation and Miracles (DNA Repair) 528= C at A/440

FA 639 Connecting/Relationships 627= Eb at A/440

SOL 741 Awakening Intuition 748=F# at A/440

LA 852 Returning to Spiritual Order 836=G# at A /440

Also, these notes have very differing intervals between each other as you
can see, so I don't quite see this as a scale or a progression that can be
used to create music with.
I have read some of Dr. Horowitz material and he seems to me always
catastrophic in his comments/forecasts, and not very clear. So, I need help
to try to understand where the real power of such frequencies may lie.
For instance, in all internet information I have found about these
frequencies, they always say the same phrase: 528 is used to repair DNA...
But so far, I have not find any connection to that. In which way it is used?
what happens to the DNA? etc. etc...
Can you throw some light and illuminate my ignorance?

Love
Marcelo



----- Original Message -----
From: "Marysol Gonzalez Sterling" <biosonica@...>
To: <biosonic@yahoogroups.com>
Cc: <TRUTHsound@yahoogroups.com>
Sent: Tuesday, March 23, 2004 6:25 PM
Subject: [biosonic] The Powerful Solfeggio Frequencies:


> The Powerful Solfeggio Frequencies: Why These Ancient Tones Were
'Lost'
>
> By Lyndsey Watson / Sound Therapist and Director of the River of
Song Center for Vibrational Balance
> The tones of the Ancient Solfeggio Scale had been given to the
church many years ago for a very spiritual purpose. People came to Mass
which, at the time, was done in Latin. When people sang these musical tones
(usually in chants), it was very powerful - they cut through all of the
limited thought forms into the deeper levels of the subconscious, accessing
insights beyond belief systems. It seems that simply because the frequencies
of the tones within the scale facilitated vibrational healing states and
higher awareness in the masses who sang them, the Church eventually
suppressed the use of the special frequencies. In addition, the Church
originally commissioned over 150 chants (Gregorian) that utilized the tones.
However, in approximately 1050 A.D. the Church purged or "lost" the chants,
most likely not intending to, but nonetheless denying the masses the
opportunity for their own vibrational healing through sacred sound.
Consequently, the stage was set for vibrational disharmony in people's lives
via sound frequency.
>
> The Powerful Solfeggio Frequencies: Why These Ancient Tones Were 'Lost'
>
> By Lyndsey Watson
> Sound Therapist and Director of the River of Song Center for Vibrational
Balance
>
>
> "You're only as sick as your secrets," I remember a good friend in early
recovery telling me. Well, I now know this goes for the whole human race. I
recently found out about one big centuries-old secret that isn't secret any
longer thanks to Dr. Joseph Puleo whose mystical story is captured in a book
called The Healing Codes of Biological Apocalypse by Dr. Leonard Horowitz.
>
> In my quest as a sound therapist, I have always been drawn to tuning
forks. In the early days of my fledgling practice, I experienced many but
didn't actually purchase any to add to my practice. Then, in 2001 by chance
(right!), I had the privilege to experience some specialized tuning forks
calibrated to the frequencies of the Ancient Solfeggio Scale. You know how
you just KNOW when something is right for you? You resonate with it. Why
these tones resonated with me became very clear when I learned about the
secret.
>
> So what is it about this secret that Dr. Puleo uncovered? As I
understand it through my studies with David Hulse, D.D. (originator of
SomaEnergeticsT) the tones of the Ancient Solfeggio Scale had been given to
the church many years ago for a very spiritual purpose. People came to Mass
which, at the time, was done in Latin. When people sang these musical tones
(usually in chants), it was very powerful - they cut through all of the
limited thought forms into the deeper levels of the subconscious, accessing
insights beyond belief systems. It seems that simply because the frequencies
of the tones within the scale facilitated vibrational healing states and
higher awareness in the masses who sang them, the Church eventually
suppressed the use of the special frequencies. In addition, the Church
originally commissioned over 150 chants (Gregorian) that utilized the tones.
However, in approximately 1050 A.D. the Church purged or "lost" the chants,
most likely not intending to, but nonetheless denying the masses the
opportunity for their own vibrational healing through sacred sound.
Consequently, the stage was set for vibrational disharmony in people's lives
via sound frequency.
>
> At the same time, instruments which used to play music in these sacred
tones were tuned using a method called "Just Intonation". Beginning in the
16th century, however, the tuning method began evolving into what is
currently used today in all music of the Western world - the "12-Tone Equal
Temperament Method." Why is this important for us to know? Surprisingly,
altering the tuning method changed the frequency of musical tones; and
different tonal frequencies affect the energy systems of our body, our
health and our well-being in much the same way that high-voltage
transmitters, microwave ovens and televisions do.
>
> Naturally, the alteration of these frequencies weakened the spiritual
impact of the Church's hymns. According to Professor Willi Apel (as reported
in Healing Codes for the Biological Apocalypse, "Because the music held
mathematical resonance, frequencies capable of spiritually inspiring mankind
to be more 'God-like', the changes affected alterations in conceptual
thought as well, further distancing humanity from God."
>
> In the book The Just Intonation Primer, the author David B. Doty shows
that if the quality of compositions that are keyed to the ancient "Just
Intonation" method could be described, such terms as "clarity", "purity",
"smoothness", and "stability" come readily to mind. He further observed that
music composed to fit the "12-Tone Equal Temperament" method (the tuning
method utilized for the last 250 years) sounds "rough", "restless" or
"muddy" in comparison. Because there are limited musical combinations
available to composers with the current method, it essentially places music
"in a box of limitation". Consequently, since all music in our contemporary
world (from commercials to modern hymns and symphonies) has been composed to
utilize the "12-Tone Equal Temperament" method, they all have vibrational
limits. As a result, the limited vibrational frequency of the tones of
modern music can create situations such as "boxed in thinking", stuffed and
suppressed emotions and fear-based "lack" consciousness - all of which tend
to manifest into physical symptoms of "dis-ease". Our modern music may be
"music to your ears", but it was originally intended to be music for the
soul, or the "secret ear.", according to Dr. Hulse.
>
> So now I understand my attraction to the tuning forks calibrated to
these once "lost" frequencies. The tones naturally stimulate the vibration
of expanded creativity, easier problem solving and holistic health. The
potential exists for us to change our wellbeing and that of our world by the
reintroduction of these ancient tones and tuning method. (Currently, an
example of this is already showing up in present-day application via the 528
hz frequency - MI in the Solfeggio Scale - which is being utilized by
researchers to repair genetic DNA in the laboratory.) How exciting is that?!
>
> The secret is out - thank goodness nothing stays hidden from the human
spirit forever. It is my hope that our collective vibration will be raised
significantly simply by being informed of the "lost" Ancient Solfeggio
frequencies and bringing them back into our bodies whether by singing,
chanting, toning - or tuning forks.
>
> Lyndsey Watson is the founder and director of the River of Song Center
for Vibrational Balance in Wrentham, MA (www.riverofsong.com). She is a
certified Level III SomaEnergeticsT practioner and instructor, and a
certified SpiritSongT teacher trained by Mary Elizabeth Wheeler and Shawna
Carol. She has been in private practice, leading song circles and practicing
spirit singing herself for ten years. Lyndsey is also an ordained minister
and professional singer/songwriter (her CD VibraChant, utilizing the ancient
frequencies, is available on her website.
>
> a.. return to ByRegion.net home
> http://www.byregion.net/articles-healers/Frequencies.html
>
>
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