Search the web
Sign In
New User? Sign Up
biosonic · Biosonic, sound, light, vibration and co
? Already a member? Sign in to Yahoo!

Yahoo! Groups Tips

Did you know...
Want to share photos of your group with the world? Add a group photo to Flickr.

Best of Y! Groups

   Check them out and nominate your group.
Having problems with message search? Fill out this form to ensure your group is one of the first to be migrated to the new message search system.

Messages

  Messages Help
Advanced
GLOSSARY OF TERMS FOR VOICE ANALYSIS   Message List  
Reply | Forward Message #2738 of 3785 |
hello everyone,
I include for everyone one of the help documents from the Biosonic software
for voice analysis. I would love any comments, mostly of the glossary of
terms at the end, maybe some things can be addedm
thankyou,
love
Marysol
Think about it,,,, feel it deeply,,, talk about it,,

Express it all with words,,,,,, with your voice.


Your voice goes away when you are sick,

Your voice rises up with your emotions,

We need to groan when we feel pain,

When we cry unexpected sounds come out.....


The sounds our throat emits express our whole being,

our emotional, mental and physical entity,

We are a vibrational creature,,,,

son of the Sun that becomes oneself,

Acknowledging Sun to cell to hormone effect,

You , me,, all of us,,, are individual entities,

Caught in the time space continuum,

evolving as human beings in planet Earth.


@@@@@@@@@@@@@@@@@@@@@@@@@

The BIOSONIC system program follows the principles of physics that
everything in the universe is vibration, from sound to visible light
everything dances and vibrates influencing our senses and our perception.

That the closest vibration and most present in our organism is the VOICE.
Therefore when we analyzing the frequencies of the human voice, we obtain a
complete spectrum of the frequencies of the person. All the present
vibrations in the whole organism and those recognized by the brain from the
interaction with the vibrations of the exterior world.

That the low and slow frequencies cause waves of pressure, that mobilize and
excite the molecules to react into a movement that is harmonized in
consonance and resonance or disharmonized in non-connection and imbalance
with their environment.

That our organism has entered in a new vibrational imbalance by living
surrounded of new frequencies taking place by the progress of the human
technology. That the artificial light has an orange excess and the electric
current inundates us with 50 hz. (G in Europe) or 60 hz. (B in USA).

That the low and slow vibrations of the sound mobilize and excite the
molecules of our organism into friction and produce heat, provoking to carry
out certain functions, to liberate stagnated or frozen energy inside our
organism. And the high and fast vibrations of light excite the molecules of
our organism provoking chemical reactions or changing the metabolism and the
hormones.


The computer program of BIOSONIC is the beginning of a long journey of
perfection and vibrational knowledge of our own and most intimate universe,
to be able to decide the treatment and healing of the human organism with
light color in the metabolic, hormonal, emotional problems and with sound in
the organic, more physical problems of the human being.

Here I present proven factors of analysis and interpretations, in a
practical and easy way to use, diagnose and treat. Meanwhile it is still
left open for research and deeper knowledge of this vibrational universe
through the human voice. We all know how our voice changes when we feel
happy to when we feel sick and how it is a measurement of strength in the
physical realm, as well as happiness in the emotional realm. I hope we can
share much knowledge until we perfect this new technology available to all
of us, with the most important tool of communication, our voice.

Marysol Gonzalez Sterling

@@@@@@@@@@@@@@@@@@@@@@@@@@


GLOSSARY OF TERMS

Wav File, It is the format of the sound document that can be opened up by
any other computer program for sound or Audio.

Graph of the wav, It is the drawing of lines that is shown in the horizontal
rectangular window in the superior side of the windows for analysis. We will
be able to see a line in the place that you are hearing from the voice when
processing that analysis.

Unidirectional microphone, Is the only necessary external piece to record
the voice with fidelity, one puts it near the mouth and it only picks up the
voice, avoiding any external sounds. The best specifications are between 30
or 50 hercios until 15 or 18 kilohercios, (15.000 or 18.000 hercios).

Distortion, Interference Sound because the volume of the microphone is too
high one and it distorts the recording.

Interference, external Sound or of the computer that doesn't belong to the
voice and distorts the recording.

Musical Notes, Range of frequencies belonging to a progressive separation of
sound, used as musical language. They are 7 notes C, D, E, F, G, A, and B.
With 5 transitions, called Sharps they are the black keys of the piano,
having in total 12 notes.

Complementary or inverse Notes, When relating the notes to light, the same
theory is used where a color or note erases the other one completely. When
placing the 12 notes in a circle, the complementary or inverse are one in
front of the other.

Weak Notes, it is the range of frequencies belonging to a musical note that
the voice often cannot pronounce.

Notes in Excess, it is the range of frequencies belonging to a musical note
that the voice often pronounces, or too many times, stealing the energy to
its complementary note.

Six weak notes, Of the twelve notes the voice seems always to pronounce the
same ones, as if it didn't have energy in 6 notes that if it is very in
imbalance becomes missing.

Six notes loaded, With the twelve notes the voice seems always to put but
emphasis or energy in 6 notes that if it is very in imbalance becomes
excess.

Three Notes in excess, Of the six stressed notes the voice seems always to
put more emphasis or energy in 3 conaecutive notes.

Three weak Notes. Of the six weak notes the voice seems always to have less
energy in 3 serial notes.

Yang, The name of philosophy Taoist of China that shows the creative thing,
what irradiates or what goes from more to less.

Yin, The name of philosophy Taoist of China that shows the receptive, what
absorbs or what goes from less to more.

Scale, Way of organizing the range of frequencies belonging to the notes to
give form to the musical pieces. All the cultures have their scale, and many
musicians look for scales to tune their instruments that they even sound
better, or produce new sensations, or that it shows the vibratory nature of
the universe better.

Diatonic Scale, The scale that the current orchestras use tuning the
instruments to A with 440 hertzs, or cycles per second. The separation of a
note and the following one follows the same proportion than the sun and the
planets.

Scientific Scale, The scale that the current scientists use, the A is 426
hertzs, or cycles per second.

Pythagorean Scale, Created by Pythagoras and it resembles the Scientific
scale. It is used to unite the notes to the planets or Zodiacal signs.

Equal Scale, The scale that uses an exact separation between a note and the
following one. Maybe expresses better the mitosis phenomenon or separation
of the cell, and the progression of chromosomes.

Calibration, It would be called tuning of an instrument. When changing the
frequency of the center of each note, moving up or down it would change the
range of the notes for a certain scale. When introducing the date of birth
it calibrates the notes moving the center up if one is born after the day
5th of the month, or down if one is born before 5th in the month. The
Zodiacal months are used instead of those of the Gregorian calendar that we
know.

Octave, Are the different Kingdom or vibrational dimensions that show the
vibrational universe. From C to B it is an octave, the next C begins the
next octave. A frequency when multiplied for two ascends from an octave to
the following one, going up different dimensions from the micro to the
macrocosms. The octave ascends or it descends in spirals, the C always in
the same place and the B connected with the following C. (to look at
graphics of the manual).

Main octave, So that a voice shows a concrete intonation, without unexpected
changes, it has frequencies in all the notes in a single octave. But it
doesn't have to go from C to B, it can begin in D# sharp of a certain
octave, to go to B and continue in C of the octave above until D. The
program looks where the main octave is, since it will be where the numbers
are higher, where most of the frequencies for each note are, and where most
of our attention is when being awake, deciphering where is the physical
body. It is shown in a horizontal orange line in the grid of the Chromatic
presentation, and in 12 highest bars of the Colorgram presentation.

Cellular octave, Once known the Main octave the notes are divided
personalized to the person or the person's moment. The octave that is bellow
it is the one that belongs to the hidden part of the body, the subconscious
or the cellular blood. If it has high points or more than half of the Main
octave, it is taken into account as the attention is shared or it is also
centered by some reason in the cellular subconscious part of the organism,
and it becomes a Multiple Octave.

Emotional octave, Once known the Main octave the notes are divided
personalized to the person or the person's moment. The octave that is above
it is when one gets excited emotionally. If it has high points or more than
half of the Main octave, it is taken into account as the attention is
excitable to generate emotions from that organ, and it becomes a Multiple
Octave.

Multiple Octave. If it has high points of hits or more of half than in the
Main octave, it takes into account that it has deviated to what is not the
normal attention in the physical and palpable, and it has become a Multiple
Octave. These notes with energy in several octaves besides the Main Octave
can be very important if they are shown in several analysis, however they
are not taken into account if it is shown in only one.

Spirals, Everything in the universe ascends, it progresses and it is
diversified with the help of spirals, because it is the evolutionary
vibrational form to go from slow and large vibrations to quick and small
vibrations. We take this vibrational form to define how three notes
influence to only a complementary one, the inverse or in the other side of
the circle.

Spiral Yin, , When at the side of the circle are 3 notes together in excess
and on the other side one alone weak. It is abbreviated with 3+1 - notes.

Spiral Yang, When at the side of the circle are 3 notes together weak and on
the other side one alone in excess. It is abbreviated with 3-1+ notes.

Radial, The relationship of the notes in excess and weak or lacking are
directly in front of each other in the circle. It is sign of more harmony
and organization vibracional, or coherence.

Inclined, The relationship of the notes in excess and weak or lacking are
not directly in front some of others in the circle, but sideways. It is sign
of a normal harmony and vibrational organization that commonly is in most of
people and situations, being less coherence than the Radial one.

Dispersed, The relationship of the notes in excess and weak or lacking are
even less directly in front of the others in the circle, and as even most
sideways, it compromises even more notes of one side to another. It is a
disharmony sign and vibrational organization that also is common for most
persons with imbalances, being more incoherence than the Inclined one.

Dispersed +, The relationship of the notes in excess and weak or lacking are
even more deviated from oneother in the circle, and as even more sideways,
it compromise more notes of a side and another. It is sign of a lot of
disharmony and vibrational organization that is common in most of people
with health situations compromised, being more incoherence that the
Dispersed. Although it can simply be shown at some time, it would be taken
into account if it is frequently shown.

Nutritional database, An enormous listing of reference on nutritional
elements, minerals, amino acids, vitamins and medications. For what they are
used and how they are used when a person shows deficiency as toxicity. It
has two you formulas to transform these into sound, one with the conversion
of mass to frequency and the other one the conversion of molecular weight to
frequency. This database helps us to decide if some frequency of the voice
is noxious or it suits to be given the inverse frequency, so that it is not
so active in the organism. To study these references helps us to decide if
it is convenient to give a frequency as therapy to help in the absorption
and assimilation of some necessary element for the recovery of health.

Chromatic, The chromatic scale is the whole range of basic vibrational
options, and it distinguishes the notes when they are mentioned. It is used
as instruments tuner, and the notes and the octaves are shown in form of a
grid. The first module of the BioSonic system is presented as Chromatic,
because it is the best way to distinguish the fundamental frequencies of the
vocal chords of the human voice.

FFT, Is the abbreviation for the algorithm of Fourrier Frequency Transform
(name of its inventor). This formula is used to analyze all oscillating or
vibrating form. It is an oscilloscope in a computer program, and it is used
in Physics as in Biology, as well as to analyze the sounds of the motors and
of everything in the actual science.

Colorgram, Is the presentation with the relationship of notes to color, and
these are seen in bars of colors, representing the 12 notes. In this
presentation the exact frequencies will also be seen to be related to the
database of Nutritional Sounds.

Color of the Notes, The relationship between light and Musical notes is
obtained going up octaves(x2) until arriving to the frequencies belonging to
the visible Light colors. The relationship that uses the program of BioSonic
belongs to the absorbed Light. The cellboxes are illuminated with that color
when a frequency is mentioned of the range of the note in that moment. The
color bars of the Colorgram also have the colors related to the notes. See
the pages on Fotónica in the manual. This is a vibrational relationship that
is right and scientific.

Color of the Octaves, The Octaves were marked with colors when finishing to
process the recording. The colors are symbolic related to the different
levels of attention, as much physical as emotional, they follow a logic with
the spectrum of light seen with a prism and relating it to the vibrational
Taoist philosophy.

Window of Base/Plain Voice, Where one of the voice analyses was processed
without emotions, as one of the topics that can be significant, request the
person to says their name, address, date of birth etc... as if it filled up
a report.

Window of Estrés/Illness, Where another of the voice analyses was processed
with negative emotions, as one of the topics that can be significant,
requestto the person to say how he feels when they feel bad, physically as
emotionally.

Window of Futuro/Salud, Where another of the voice analyses was processed
with positive emotions, like one of the topics that can be significant,
request the person to talk about something that delights him/her, or the
subject that he/she wants to know if it will bring him/her more harmony.

Total window, Where they sum up the other processed analyses of the voice.
It gives the total of any other of the analyses processed in the other three
windows. We can sometimes decide to read the texts from this window that it
takes the average of the other ones.

Calibration Window, Where it shows us the calibration or the frequency of
the center for each note according to any date of birth. These frequencies
are sometimes used to do the relationships with the relatives and the child
with their mother.

Sum, The total sum of all the points or hits in each of the notes in all the
octaves, in the line below. The total sum of all the points or hits for the
twelve notes in each octave is in the column of the right. The total sum of
all the points, or taken frequencies are in the cellbox at the bottom right.

Average, According to the total of the quantity of frequencies or taken hits
it is divided by 12 to know the exact average, or the one number of
frequencies most balanced if each note had a perfect harmony. Each octave is
averaged and also the main, cellular and emotional octaves, to decide which
note is closest to the average, as being most balanced

Cellboxes, In the Chromatic grid it is divided in cellboxes for each note in
each octave. In these cellboxes is where the number of points or hits
introduce the quantity of frequencies that have been mentioned for the range
of frequencies that is indicated in that cellbox. The range of frequencies
changes according to the scale or the calibration when a date of birth is
introduced.

Cycles per second, The vibrational measure that is the quantity of
oscillations for each second that technically is called Hertzs.

Hertzs, The measure of the vibrational universe that means the quantity of
oscillations for each second.

Frequencies, The unit of vibrational measure that expresses the oscillations
for each second. The universe is composed of oscillations that you/they go
from cero to thousands of trillion frequencies, hertzs or cycles per second.

Fundamental frequency, The main frequencies of the vocal chords in the case
of the voice analysis. Or the first frequency or base from the one that
other harmonic frequencies or multiples of this arise.

Frequency in the Octave –4, Any frequency can decrease by multiples of two
(dividing the number of the frequency by two), until we arrive to the octave
it is the last audible. The database of Nutritional Sounds is calculated in
this octave.

Inverse frequency, All the frequencies have a frequency that erases it, or
it is their antidote in the case of belonging to a toxic. One arrives to
this frequency with the square root of two.

Harmonic, Each oscillation or frequency grows and it progresses through
harmonics, as fractales of evolutionary patterns. The music sounds harmonic
and beautiful for the concrete and correct use of the musical harmonics. The
universe is made up of the evolutionary expression of the harmonics, and it
is the mystery of the universe and their harmonic progression. The frequency
50 cycles per second repeats each 50 cycles for second or hertzs. That isthe
harmonic of 50 hertzs are 100, 150, 200, 250, 300, 350 etc... These will be
studied in depth in the second module of FFT.

Coherence, The perfect vibrational organization is called perfect harmony or
coherence. Each existent being has a coherent vibration with its composition
to evolve and to multiply, the same as the pattern of the DNA.

Incoherence, The imbalance of that perfect vibrational organization is
called incoherence. Each existent being has a pattern in the vibrational
imbalance. To find that imbalance pattern and to value it , will be the goal
of the third module on Coherence, to be able to understand better and value
the patterns and comparison between a voice analysis and another.

Generate Tones, The goal of the vibrational treatment or therapy through
sound is to generate frequencies, or sound tones belonging to nutritional or
positive oscillations to obtain more coherence.


FAST GUIDE OF HELP IN VOICE ANALYSIS, some advise.

@ WHEN RECORDING THE VOICE DO LOOK AT THE MICROPHONE'S INPUT COME INTO THE
GREEN NOT THE RED NOR THE YELLOW, to have the right amplitude without
distortion. Change the sensitivity or quality of direction settings of the
microphone if necessary.

@ WHEN THE VOICE IS BEEN PROCESSED EVERY TIME A FREQUENCY COMES IN THE CELL
WILL LIGHT UP IN THE COLOR OF THE NOTE, listen and pick up the words that
say certain weak or stressed notes, to understand the intonation and vowel
sounds that produce that imbalance.

@ ONCE THE RECORDING HAS BEEN PROCESSED IT WILL MARK THE WHOLE OCTAVE WHERE
THE VOICE HAS MORE FREQUENCIES IN COLOR ORANGE. The number of frequencies
for each note will be fuller in one whole octave, only having one step down
to another octave to form a whole spiral representing one complete octave
belonging to the physical realm. You can see that the highest number of hits
for each note is where the orange line is drawn. Where our attention and
energy is most concentrated in the awake state. The cellular octave bellow
is red for the blood and the emotional octave above is yellow. It will also
show the Yin Yang pattern of 6 more stressed notes and 6 weaker notes in
dark blue cells in the row of total number for each note bellow.

@ THE WEAK NOTES ARE IN GREEN AND THE STRESS NOTES IN MAGENTA. The button of
analysis will show the weak note in green and the stress note in magenta in
the row of notes above. The 3 more stressed notes the numbers are colored in
magenta and the 3 weakest notes the numbers are colored in green. The row of
notes above will color the letter in green or magenta for the weakest or
most stress note in number of hits. Meanwhile the colored cell of the row of
notes bellow will show the notes influenced by the 3 weakest or most
stressed notes of the Yin and Yang Spirals.

@ CLICKING IN ANY CELL BOX WILL SHOW IN THE WAV GRAPHIC WHERE THOSE
FREQUENCIES WHERE MENTIONED. To be able to zoom in the area or word spoken
and listen to the intonation or vowel mentioned.

@ CLICKING AT THE INVERSE FREQUENCY BUTTON IT WILL SHOW ALL THE FREQUENCIES
THAT WHERE MENTIONED FOLLOWED BY A FREQUENCY OF THE INVERSE NOTE. By
clicking again in the cell box it will show or take away from the recording
wave graphic above the lines belonging to the notes you do not want to study
and leave only the ones you want to study.

@ THE COLORGRAM BAR DISPLAY WILL ALSO SHOW THE MAIN OCTAVE ONLY, THE 6 MOST
STRESSED OR 6 WEAKEST NOTES, THE 3+ AND THE 3- NOTES, with the side menu
option in the right side of the Colorgram display window.

@ CLICKING IN THE FREQUENCY BUTTON IT WILL SHOW ALL THE FREQUENCIES WITH A
LINE. CLICK ON EVERY CORNER OR ANGLE OF THE LINE TO FIND OUT THE FREQUENCY
IN THE BUTTONS ABOVE THIS WINDOW. ALWAYS LOOK AT A HIGH PEAK AS THE MOST
MENTIONED FREQUENCY AND THEN ITS INVERSE, finding in the screen of the
frequencies with the cursor the place that matches the numbers of the
inverse frequency. This will show the necessary nutrient the most stressed
frequency is taking all the energy, relating it to the Nutritional Sounds
Database conversion from molecular weight or mass to frequency
relationships. Check the NS Database and when clicking in any frequency
button it will enter that frequency in the database to study its reference.

@ IN THE NUTRITIONAL SOUNDS DATABASE CHECK SELECT EFFECT , FOR THAT REASON
CHOOSE AN EFFECT RELATED TO THE IMBALANCE OF THE PERSON. Make sure above it
will show 100% and choose the frequency closest to the one you want to study
belonging to a certain note. Do the same for its inverse frequency.

@ TO GENERATE A FREQUENCY FOR THERAPY CHECK THE BIOAUDIO. Any frequency
button will take that frequency to the BioAudio to generate tones for
Therapy.

@@@@@@@@@@@@@@@@@@@@@@@@@@



BIOSONIC SYSTEM TUTORIAL FORUM

A closed forum with the purpose of being a teaching tool and help to
understand the BioSonic system for voice analysis and sound therapy.

Email group discussion, with files downloaded to files webpage, from teacher
as well as students for discussion by teacher and other student members. Use
of schedule and database webpages of the YahooGroups forum.

For as long as you want. Cost 150$.

Each student can decide the time and energy that they want to dedicate to
this learning tool. We will have much revision of personal cases and
interpretations, as well as choosing therapy methods.

For more information, payment and other questions, please write to Marysol
Gonzalez Sterling at biosonica@...

Needs of the student: to have a working copy of the BioSonic program, and a
connection to Internet, with email address.

Themes to be discussed in the teaching forum.

Basic analysis.

1./ How to use the BioSonic program to do voice analysis, help personal
problems and questions,

2./ What to expect in the changes of the voice, how to interpret the
changes, which analysis to choose.

3./ Which therapy method to use and which frequencies to deliver.

Evaluation of samples and cases from the students.

1./ Principles of coherence and the way to decide which is a better voice
than before.

2./ Experiments with light - color treatments, and sound frequency
treatments.

3./ How to follow up and decide for furher treatment.

Conclusion and more personal cases.

1./ Revision and discussion of more personal cases from the students.

2./ How to use FFT analysis and harmonics, difference of FFT and Chromatic
analysis, how to use either one.

3./ The future of sound therapy.

**********************************************





[Non-text portions of this message have been removed]




Tue Nov 11, 2003 10:24 pm

bioaudio
Offline Offline
Send Email Send Email

Forward
Message #2738 of 3785 |
Expand Messages Author Sort by Date

hello everyone, I include for everyone one of the help documents from the Biosonic software for voice analysis. I would love any comments, mostly of the...
Marysol Gonzalez Ster...
bioaudio
Offline Send Email
Nov 11, 2003
4:34 pm
Advanced

Copyright © 2009 Yahoo! Inc. All rights reserved.
Privacy Policy - Terms of Service - Guidelines - Help