IDEAS THAT WE CAN DO WITH THE COMPUTER PROGRAM BIOSONIC,



FOR THE SPECTRAL ANALYSIS OF THE VOICE




1.- To know the weakest or lacking musical note and the most stressed or in
excess musical note of the voice, as indicator of certain functions in excess
and weak of the organism.


2.- To know the most absorbed or lacking color and the most reflected or in
excess, color of the organism, when relating the musical notes and the
vibrational frequencies of the voice to color.


3.- To be able to see changes in the organism after any therapeutic energetic
technique and to monitor as the person acquires harmony or coherence.


4.- To understand how the voice changes along the day to understand the subtle
metabolic processes that influence the organism.


5.- To know the acupuncture meridians in excess or weak, and to treat them with

acupuncture, finger accupressure, tuning forks or other methods.


6.- To understand the different psychological states with which the person is
expressing themselves or to help them solve some topics that may be disturbing
him.


7.- To see as certain stressed topics affects the health, or as certain future
projects of may improve or to worsen the healht state, by causing stress.


8.- To understand how two people are compplementing each other by their voice or
how they increase the tendencies already in excess.


9.- To understand how it affects us physically to pronounce our name, or that
another person pronounces it, when knowing the notes that the name contains in
our voice or in the voice of other people. To know when certain musical notes
are pronounced when speaking of something important or significant. See the note
relationship with astrology signs and birth dates. And where it is mentioned two
complementary notes that are immediately following each other and to hear the
vowels or words that were said


10.- To be able to study and to compare certain parameters of coherence and how
they express states of more health.


11.- How to choose frequencies inside a certain musical note for therapy and the
reaction as progressively it changes to another note, until the correction
maintains and also coherence.


12.- How to choose frequencies of the octave below the Main Octave to give as
therapy and to help to fill the desired notes through their harmonicss. The
difference of giving the sound in the -4octave or in another higher octave.



13.- How to choose frequencies inside the particular range of a musical note
when taking into account the spirals and all the parameters of the Chromatic
analysis and this way help the organism to obtain harmony and vocal coherence.


14.- Different formulas we can generate of a frequency. How to create a CD of a
frequency that we have already chosen.

15. - How to charge a quartz crystal with the frequency that a person needs


1.- To know the weakest or lacking musical note and the most stressed or in
excess musical note of the voice, as indicator of certain functions in excess
and weak of the organism.



This is the normal analysis when recording or loading one, two or three wav
files of a person speaking on different subject matters or at different times of
the day, and looking at the analysis in different windows and analyzing them in
the Total window which gives the sum of the others. There are usually two notes
that are compromised as being minimum and two others as being maximum, when
clicking the button of TEXT, the interpretations of the weakest and most
stressed note, as well as those interpretations of the Yin and Yang spirals,
which point to other or the same note most weakest and stressed, and which it
can be the same as the maximum or minimum note or they can be different, this
can cause confusion on what to choose as minimum or maximum, and to choose
specific frequencies. In general to lower the three notes in excess it is
convenient choose the note in opposition at those three, the note most weak of
the Yin spiral, for that reason give the minimum note of the spiral Yin, giving
it in the same octave or the octave below, or choose one or two frequencies of
that note would be the best thing and most effective. We can decide to give that
musical note to the person with a tuning fork (you can request the tuning forks
created by Marysol González Sterling Biosonic Octave or Biosonic Center, to
request it from the webpage of Granton Ragg, to see manual on the description of
Biosonic Cranial and the tuning forks, order at granton@...) or one
can deliver that note with a musical instrument, if one chooses an octave under
the main octave it can be most effective.


2.- To know the most absorbed or lacking color and the most reflected or in
excess color of the organism, when relating the musical notes and the
vibrational frequencies of the voice to color.-



This depends on the relationship of the musical notes with the colors, it is
obtained going up octaves (x 2) and relating those frequencies of the notes with
those of the colors, will be the same frequency at different octaves (to see the
manual from the CD). When processing the voice and by clicking with the mouse in
one or several of the cell boxes the color belonging to that note will appear
when a frequency belonging to that note is mentioned. Once having processed the
recording of the voice you can activate from the main menu Presentation the
function of the Histogram, we can see this way clearly the color most absorbed

of the organism and the color least absorbed or weakest. You can choose the form
of giving that color to the organism, most effective is through the eyes with a
strobic lamp, generating that blinking color with the computer or giving it from
the sun through a prism with the method of PHOTONICS. You have enough
information in the manual that you can access to it having the CD in the Cdrom
and from the Start menu, Programs it will open up directly, it will give you all
the data on the psychological meanings of the colors to be able to carry out
this type of treatment, it is very important to give the color within their weak
notes, even though it is very strong it is not dangerous when using it together
with the voice analysis. You can see changes immediately in the voice after the
treatment, and the person will notices the changes in a psychological level,
like an expansion of consciousness, certain emotional changes that with time one
will make a permanent change at a physical level. The weakest color is the one
that the organism needs to balance all the hormonal functions through the
hypothalamus.


3. To be able to see changes in the organism after any therapeutic energetic
technique and to check how the person acquires harmony or coherence.



The harmony or energetic coherence is shown in the voice in diverse ways, one of
them is seeing that there is a balance in all the musical notes, that is having
almost equally of all, and for it when seeing the average of the main octave one
can see if the improvement is shown not having great excesses neither large
weakness. Another way is in the form the energetic wave organizes is that the
spirals are radial, or if they were dispersed that they became inclined or even
better radial, even that several notes have ascended to the octave above
indicating that the voice is more crystalline and clear, as if it was younger.

When the vibracional wave or Bell Curve is shown without jumps, neither
interruptions and it increases gradually with consistency, and it does not show
any number of the Chromatic one in bold and italic that are you the
inconsistencies or incoherence of the Bell Curve or energy wave.


4. To understand how the voice is changing along the day to understand the

subtle metabolic processes that influence the organism.

To do several recordings of the voice along the day to analyze it can be quite
useful in the cases that there is important changes in the metabolic or
digestive processes, in general a pattern continues defined in most of the days.
See the examples that are presented in the manual of the CD. As it is difficult
to have someone all the time to be able to make several analysis along the day,
even in the early morning before having breakfast or at night before sleeping,
this type of analysis is not sometimes very practical, but necessary in some
cases. It is necessary to take into account that the voice clears up as one
speaks more or less and that in the afternoon the voice usually shows more like
it is in most cases, so at least one has spoken a couple full hours before
making the voice analysis, you always can ask the person how much he/she has
spoken that day before carrying out the analysis to be able to decide if the
voice is in its

most normal expression or not. For this reason the voice in the morning when not
having been used for long the whole night has several notes in the octave below.
The voice is like a muscle that acquires training and ease, for that reason to
sing and to whisper also activates and trains the voice.


5. To know the acupuncture meridians in excess or weakness, and to treat them
with

acupuncture, finger pressure, tuning forks or other methods.

The missing note or the weak notes also indicate the acupuncture meridians that
have stagnated

energy or that need activation. Leaving the cursor over the letter of the note,
a message tip will give you the meridians that note affects. Maybe we decide to
relax the meridians that belong to the excess notes. In the manual that you
access from the CD and from the Start menu, Programs, a complete guide of these
combination of meridians will be given and points that can be used to relax the
meridians with excess or to activate those that belong to a weak note and
present stagnation. The meridians belonging to the organs that are weak usually
are activated and that is the reason why they are in imbalance. You can usually
feel with the fingers the acupuncture points of those meridians, mostly the
third point of the hands or the feet are specially practical and they take the
energy for the rest of the meridian with effectiveness, you will find that those
points belonging to the weak meridians hurt with a not very strong touch, and to
know if the treatment has been effective by simply palpating it again, it will
stop to be sensitive or painful, as sign that the energy already flows for the
meridian. You will be able to choose diverse methods, to place tuning forks of
the note, you can see where to buy the special tuning forks that I have created
for this purpose from one manufacturer of Sheffield in England called Granton
Ragg. (email: granton@...). You can also use a flashlight with color
filters and quartz crystals, what you can build yourself or use those that you
can buy in specialized places. It will be convenient to tell to the person to
continue activating that point pressing with their fingers so that the change is
more permanent and a change is shown in the voice, with one or two treatments
the change doesn't usually show in the voice. However if it stops hurting it is
already indicative that there is an improvement. In the manual that accompanies
this program are included kinesiology tests that are also indicated to be able
to check the effectiveness of the temporary improvement that a treatment can
cause. It is important to know that this the person should continue the
treatment of the meridian or accupressure point so that the change is more
permanent and also the voice in the fundamental frequencies will show this in
the module of the Chromatic, as it shows more the physical changes.




6. To understand the different psychological states that the person is
expressing or

to help solve some topics that give him unrest..

The 12 notes are always distributed in a natural way in 6 weakest notes and 6
stressed notes, as the Yin and the Yang. This division gives a meaning of
psychological attitudes and with the changes at a physical level can also have a
change in those attitudes, a person can usually change between 3 or 4 modalities
of the 12 possibilities in total, since basically there are 4 that can combine
among themselves. To have in stress the 6 first notes attracts a behavior of
impulse and action, the 6 middle ones of compulsivity and realization, the 6
last ones of reflection and understanding, and the 3 first with 3 last they are
of reflection before the action. We can request for the person talks about
different topics and see how they can change decision to action, realization or
reflection, that expresses how the person changes with the different themes
spoken. The topics of the windows of the program can be valuable themes to talk
about, base-plain voice, health-future, stress-illness, but any important topic
could be used, to speak of the future plans, of the problems of the partner or
of situations of the past, later one can do another analysis giving a new shade
to the same topic and see how the 6 stress notes have changed, these don't
sometimes change if the themes has not had enough impact in the person, or has
not expressed it really feeling it. You should be able to distinguish that also
naturally listening to the person, how much more liveliness, enthusiasm they had
and how that showa in their voice, then showing it with the computer processing.
This could help the person to discover which attitude will bring him the best
benefits or the form most correct to solve a particular matter. Let them hear
themselves and look at the computer monitor to see how a certain voice tone will
make them more or less imbalance. Let them play with whatever subject matter, or
voice tone they want to see how it affects them, this will give them clarity in
their spoken word and freedom over their own healing process.


7. To see how certain stressed topics affects the health, or how certain
projects of the one´s future could improve or worsen the health, by causing
stress.

Request the person to talk of the different themes proposed in the windows of
the program base-plain voice, health-future, stress-illness, and see when
comparing them, by placing the windows one above another in the monitor screen,
so that we can see two at the same time if really the topic that was spoken
maybe of the future will stress and unbalance more or less the pattern, than
when he/she talked about stress and compare it with the one in the window of the
wav, while he/she spoke of stress, then

we can tell him that the topic that he/she has chosen on the future is a project
that it doesn't benefit them because it is too much stressing. This way we can
help the person how the topic the are talking about can have a negative
influence on their health, we can also help them to talk finally of something
that helps positively their health. This form to do an analysis of what a person
says and to help them of the energetic impact that this has in her health can be
carried out speaking on other subject matters and themes that will help them
understand themselves. They need to listen to their voice and the tone they use
and how it changes with different subjects. It is true that many persons do not
recognize or like to hear their recorded voice, but this is part of the therapy
and then take power over their own voice.


8. To understand how two people are complemented by their voice or increase

their tendencies already in excess.

People can be complement or accentuate their defects in other people's company,
and most of the energy

exchange among both happens through the voice, when they talk one receives the
notes in excess from the other person. Or they might receive the notes they
need, because one has high what the other has weak, then the complement each
other and the relationship is smooth and easy. Maybe a couple that is not able
to break up or separate even if they are not good for one another, this could be
because one person screams to the other one in the missing notes of the other
and helps them to be balanced temporarily. For that reason they seem to cause
situations so that the other screams at them, it becomes a vicious and negative
cycle. Those persons are not usually complemented in their voices but rather
their excess tendencies are increased, they are only complemented for a while
when the other screams at them. The best thing is that a person has when
speaking the missing notes of the other person and the other one has in excess
the weak notes of the that one, this way both are harmonized when speaking and
exchanging energy, also mental as well as emotional through the voice. How they
are complemented or not, we will see it making voice analysis of both persons
and see which note is in excess or weak in both. If the wav is loaded of one of
them in the base window and the voice of the other in the future window, not
only can we have both and see both at the same time in the screen of the
monitor. We can see also in the Total window, that has added both results of the
two persons summed up, to be able to appreciate if one has more equal points of
all the notes and together they have coherence. Maybe it is only when both speak
of specific themes and maybe with some persons one will be able to look for a
time where you can record their voices in certain specific conversations that
later can be analyzed with the program. If we have a sound editing program like
Cool Edit we can record a whole conversation and it could be cut out and
separate the pieces where each one speaks in the recording, making a different
wav from each one speaking alone, even though the original recording is of both
speaking together. When separating what each one says alone and save it in
separate wavs files, we will be been able to load these in the Biosonic program
to analyze it in different windows and together in the Total window. Certain
juicy conversation might be very revealing and helpful for a group therapy
psychological session.


9. To understand how it affects us physically to pronounce our name, or that
another

person pronounces it, when knowing the notes that the name contains in our voice
or

in the voice of other people. To know when certain musical notes are pronounced

when speaking of something important or significant.

A person can mention their first name several times, during some seconds while
it is recorded. Later

it can be analyzed seeing if there is balance between the notes, or what seems
to be reinforced that they need or not, and if that imbalance worsens or
improves the general analysis of the voice when they simply talk, compared to
the previous analyses. You can request someone to say the name of another person
or try with you partner or family for them to mention your name. To see which
notes are mentioned and if that benefits the person of the name or not (idea
started by Lauren Gardfield). You can record while somebody says the name of
another person and then see which is the note or notes they most mentioned,
sometimes it can be the note or notes most in excess in that person's voice,
according to the analysis of that other persons voice. SO that is why the help
and give mutually what they need when the one call the name of the other. Ask
them what they think on this and how it affects their relationship, and ask them
to observe it in their daily life.

Or maybe it is the note that corresponds to the relationship of astrology and
the date of birth. With the person's being mentioned date of birth, taking that
C is Aries, C# is Tauro, D is Gemini, D# is Cancer, E is Leo, F is Virgo, F# is
Libra, G s Scorpio, G# is Sagitarius, A is Capricorne, and B is Piscis. In some
persons it is presented a way of having in its voice the note in excess that
corresponds to its date of birth and other times seems that the note in excess
belongs to the complementary or opposing note to the one that belongs to their
date of birth. This way we could know if this is due to the name of a person and
other persons calling them causes them that excess or imbalance. For this reason
we can also help someone to not only discover which notes are contained in their
name, but also to look for another name to change it if that is what they
prefer. Analyzing how theme selves and others mention that other name, and if it
will be favorable energetically, if it s giving the weak or missing notes.
Because the cellbox will become of the color belonging to the note every time a
hit enters, while processing the wav and hearing it at the same time. We can
also do click in a cellbox after having finished to process it and see in what
places of the wav a note has been mentioned in particular or more often. Each
note is marked with a line of its color in the graphic of the wav. Then later go
to that area, mostly if several times in sequence it has been mentioned, then
drag the cursor on that area of the wav and make zoom on it. Click on Play to
hear what has been said, if the name is really said or which vowels of the name
contained that note.

When looking at the window presentation of Colorgram note bars, and activating
the button of Frequencies from the right side the window will give the
frequencies of that wav, or that portion of the wav. It is interesting to see
where they have been mentioned more than 4 times in sequence the notes in
excess, to hear the wav and to decide which vowels were mentioned. In the
Chromatic presentation is where we can do click en the boxcell of the note that
we desire to study and in the graphic of the wav will appear colored lines
showing where those notes where mentioned. The mouse could be dragged over that
area of the wav and zoom to hear what was said clicking on Play. If at some time
when hearing Play it is not understood what is said, because it is too short,
choose larger area, around that section before and after to understand the whole
word, to pick up the vowels that are mentioned in the section you wanted
earlier.

Another interesting exercise is to see in other places where it is mentioned two
complementary notes that are immediately following each other and to hear the
vowels or words that were said. To do this we have another button that will mark
these in the wav graphic, and by looking where the colored line is of the note
we desired to study. And as the cursor moves over the wav, then it can be marked
by dragging the cursor over that section, zoom and click on Play. Do the same if
the sound is so short that is hardly distinguishable what is said, after hearing
it once, mark a larger portion of the wav, so that it is almost a whole word and
then play and hear it again. Zoom and hear over a portion of a word to
understand the vowel sound that created those notes and try to distinguish the
intonation compared to other times when it is mentioned similar vowel sounds.

10. To be able to study and compare certain parameters of coherence and how they
express states of better health.

Coherence is the scientific term for harmony, and it is described like a wave, a
tide or a Bell curve in

current terms. It belongs to the belief of several doctors and researchers that
COHERENCE expresses the harmony of a living being, and that to be able to
measure coherence will be the form of knowing when we come closer to a state of
health, or the natural healing system kicks in. We would like also to find out
when helping to get coherence would be able to increase the individual's natural
healing system. From my studies it is clearly seen coherence, when the voice of
the person is musically happy and joyous.

Coherence is a state of happiness and the voice becomes clear and musical,
normally it becomes higher or a few notes have gone up the upper octave. The
Chromatic window of the program now indicates some of the parameters that would
help us recognize when a voice analysis shows that it has improved in coherence
when comparing it with others of the same person. In the first place you can see
two windows from the analysis by placing one directly above the other one,
according to the resolution of the screen the windows will come out bigger or
smaller. You can compare the analysis of the same session with those different
topics to test, Base, Health or Illness or in those windows you can open wavs of
different sessions or the same person's moments and this way to be able to
really compare them in the improvement after taking some time of a suitable
treatment. There are incoherencies due to unstable changes and also more
important incoherencies difficult to interpret, I have started to interpret
these in the coherence page in the manual.

The most coherence would be that all the notes have almost equal hits and come
close enough to the average of the main octave; that the Yin and Yang spirals of
3 and 1 notes are radial, so that the maximum and minimum notes coincide with
the radial single notes with those of the spirals; that the transitions are soft
and that there are no numbers in boldface and italic indicating incoherence.
This apparently is very difficult, and the voice usually ascends one octave in
several notes, being made more crystalline, younger and the Yin spiral usually
changes even for Yang and Yang for Yin, that is the voice gives a change among
the notes more stressed with those weakest. We will find that we can fill those
notes that are weakest

that the points are equaled on each note, also at the same time the spirals are
more dispersed and there are more incoherence in boldface and italic. This after
delivering the right tone or frequency is due that the acquired coherence is
only temporal or transitory, when it becomes more permanent it will change again
and will show more stability in the amount of incoherencies, meantime the number
of hits will be more even between one note and the other.

First, it seems to be corrected the quantity of hints by note and to become
similar in the 12 notes.

Second, to get soft transitions between the stressed notes and the weak ones.

Third, that they align the transitions in such a way that they don't appear
incoherence numbers in boldface and italic.

Fourth, that the spirals begin to align toward radial and Yin is exchanged by
Yang and vice versa.

I HAVE OBSERVED THESE COHERENT SIGNS APPEARING BUT FEW MAINTAINING. UNTIL THE
WHOLE VOICE CHANGES AND SUCCEEDS IN MAINTAINING THE NEW CHANGE.


11. How to choose frequencies within a certain note for therapy and the reaction
in that progressively it is changed to another note, until they maintain the
correction and coherence.

We have several options to choose the musical note where we will look for
frequencies and later we can look for those frequencies inside that specific
section of frequencies (these options will be developed in the three following
points), and to decide which of those would be better frequencies to give
looking for their relationships in the Nutritional Sounds database where there
are converted from the molecular weight of any mineral, vitamin or amino acid
into frequency. The Nutritional Sound Database connects automatically with the
frequency chosen in the Colorgram window of the Biosonic program, it can give
you two types of calculations, mass to frequency, called Master frequency and
the Molecular weight conversion. It has many medicines, minerals, aminoacids,
vitamins with information of what to use it for, and what can cause its
deficiency, as the effects of excess of a certain frequency that would behave as
toxicity. It also has an ample relationship to illnesses, as well as way of
treatment and you can buy it for a moderate price separately from the Biosonic
program. However in English you have a database with more than 30.000 elements,
even medications on their generic names and ways of finding those by illnesses,
and with a wide information of so that it serves each one of these elements,
created by Carl Parker (CarlParker4@...). All the databases have the atomic
or molecular weight converted to the octave -4, the last audible, because it is
the octave where the sound is usually given to a person because being a low
buzz, it doesn't bother so much to the nervous system if one hears it. We will
treat this in more depth in following point 12. However there are several other
options that we will be contemplated before concluding the module of this
program on therapy, maybe instead of the atomic and molecular weight transformed
into frequency we can use the frequencies that ara found in the spectroscope
when putting a mineral or any element burning and that it is the method that
tells us the compositions of the stars and planets, or any luminous object, this
is used in astrophysics and also in the analysis of the hair. We have to convert
these frequencies and to use them before deciding how to use those that we have
now of the atomic weight or if those of the spectroscope should be taken into
account too, (this will decide before concluding the last module of this
program).

To choose the range of frequencies from the note that we we will choose a few
frequencies to give to the person we should decide in which notes we would
concentrate. For that reason we should compare it with the interpretation that
comes out in the texts and see if the meaning of that note coincides better with
the symptoms or pathologies described by the patient-participant, and choose the
weakest or missing note if this coincides better with their problems. It is best
to do several recordings changing the topic to talk about to see which of these
maintains best in all 3 analysis. Sometimes it is better to choose the note of
the Yin spiral, 3+1-; since to lower the three notes most stressed is better to
use the note that affects these. This way we will get more coherence in the
voice that will help boost up the healing system and the person gets more
harmony in general. When clicking the button of frequencies of the analysis from
the Colorgram presentation of a particular wav will give all the fundamental
frequencies that affect to the physical body. We can choose to see only the ones
belonging to the 3 weak notes, or the 3 stressed notes, like that we can
concentrate on a particular range belonging to the note that we choose. We will
also be able to see how many times a particular frequency is repeated because
the cursor will show the value as how many times that frequency is present in
that recording. The frequency present is in every peak or corner of the line
representing the frequency, by clicking there the frequency enters the 4 buttons
in the top. It is very important to see the relationship of the most excess
frequency with its inverse, maybe we find more meaning in its inverse. Never
give as therapy the stressed frequency, always give as therapy their inverse
frequencies. The frequency buttons will enter that frequency in the Nutritional
Sounds database for further study and decision.

The relationship of a frequency with its inverse might reveal much, so I
recommend to study the nutrients of both frequencies and then decide to give the
one that is in the weak note.

In some occasions it is hard to decide which frequency to deliver as therapy,
one gives the frequency of the desired note that belongs to the calibration of
the patient-participant's date of birth. Many times for the children if they
have weak the note of the mother birth date, they receive the frequency
belonging to the date of birth of the mother. These they will be known putting
the mother's date of birth or of the person's in the window for calibration.
This way the frequencies of all the notes will be known for a specific date, and
at times we see if this frequency is present in their voice, or if it relates to
a nutrient that they might need, or benefit form it.

We want to clarify that by delivering nutrients we are not creating that
nutrient via sound, we help the system absorb it better, or we call it to use if
it is already present in their organism. At times it is convenient for the
person to also have that nutrient in pill form, the sound will help them
assimilate it better, and then it will be more effective receiving it both ways.


12. How to choose frequencies of the octave below the Main Octave to deliver as
therapy and to help to fill out the desired notes through their harmonicss. The
difference of giving the sound in the -4 octave or in another octave higher.

The fundamental frequencies create harmonics that are frequencies that add the
fundamental one as fractals of harmony and growth in nature. For that reason
whenever we give a note we will give it in all the octaves above this one, and
we will also give through harmonics other notes that are found in harmonic
relationship with this, that is 32hz.+32=64+32=96 hz., 32 and 64 hz. They belong
to the same note C, but 96hz it is a harmonic note to this one in the octave
above and it is G 96hz. That is when giving a frequency this one will generate
all their harmonics and in many cases it could be more interesting to give a
note so that it covered others when ascending in harmonics. Sometimes these are
difficult to choose because the first harmonics that are not of the same note
will be of the other group of notes those most stressed, but if you

can locate an incoherence where a note in 6 most stressed it will be the weakest
and it can be the

fundamental of the note weakest or that it interests us to fill up or we could
choose this in that case although it belongs to those 6 most stressed instead of
6 weakest, if it is also a note that presents cellular high points in the octave
under the main one or it is a multiple cellular octave of toxicity or it
presents anomalies like incoherence etc..

To give frequencies in the -4 octave and want to fill several notes through
their harmonics in the -2 octave from the Main Octave, or we give frequencies in
the octave -3 to fill several lacking notes of the octave -1 if this it is the
Main Octave.

For example if those most weak are F #, G, G #, A, A # and B and the note that
we want to give is G because the 3 most stressed are C #, D, and D # that remove
energy from G #, and the 3 most weak could be G #, A, A # that give energy to D
#, we would choose G # as the note most weak responsible for 3 of the most
stressed, and when generating the harmonicss with one frequency from the -4
octave all those notes will fill up and we would choose a frequency in B, If and
with one frequency of the octave -3 of C, We will fill the three you notes G #,
A, A # through its harmonicss. Next you have a relationship of notes to choose
with their harmonicss. In the following point 13 this is also explained how we
should choose frequencies belonging to one or two notes.




6 weak notes of G to C, giving C-4 covered by their harmonics from G to C in the
octave -1, mostly E, G, A # in the octave -2, those harmonics of C

6 weak notes of G #to C #, giving C#-4 covered by their harmonics of G #to C #in
the octave -1, mostly F, G #, B in the octave-

2, those harmonics of C #

6 weak notes of A to D, giving D-4 covered for their harmonics of A to D in the
octave -1, mostly F #, A, C in the octave -2, those harmonics of D

6 weak notes of A #to D #, giving D#-4 covered for their harmonics of A #to D
#in the octave -1, mostly G, A #, C #in the octave- 2, the harmonics of D #

6 weak notes of B to E, giving E-4 we cover for their harmonics of B to AND in
the octave -1, mostly G #, B, D in the octave -2, those harmonics of E

6 weak notes of C to F, giving F-4 covered for their harmonics from C to F in
the octave -1, mostly A, C, D #in the octave -2, those harmonics of F

6 weak notes of C #to F #, giving F#-4 covered for their harmonics of C #to F
#in the octave -1, mostly A #, C #, E in the octave- 2, those harmonics of F #

6 weak notes of D to G, giving G-4 covered for their harmonics from D to G in
the octave -1, mostly B, D, F in the octave -2, those

harmonics of G

6 weak notes of D #to G #, giving G#-4 covered for their harmonics of D #to G
#in the octave -1, mostly C, D #, F #, those

harmonics of G #

6 weak notes of E to A, giving A-4 we cover for their harmonics of E to A in the
octave -1, mostly C #, E, G in the octave -2, those harmonics of A

6 weak notes of F to A #, giving A#-4 covered for their harmonics of F to A #in
the octave -1, mostly D, F, G #in the octave -2,

those harmonics of A #

6 weak notes of F #to B, giving B-4 covered for their harmonics of F #to B in
the octave 0, mostly D #, F #, TO in the octave -2, those harmonics of B


3 weak notes G #, A, A #, giving C-3 covered for their harmonics G #, A, A #, in
the octave 0, mostly E, G, TO #, in the octave -1, those harmonics of C

3 weak notes A, A #, B, giving C#-3 covered for their harmonics A, A #, B in the
octave 0, mostly F, G #, B in the octave -1, those harmonics of C #

3 weak notes A #, B, C, giving D-3 covered for their harmonics A #, B, C, in the
octave 0, mostly F #, TO, C in the octave -1, those

harmonics of D

3 weak notes B, C, C #, giving D#-3 covered for their harmonics B, C, C #, in
the octave 0, mostly G, TO #, C #in the octave -1, those harmonics of D #

3 weak notes C, C #, D giving E-3 we cover for their harmonics C, C #, D in the
octave 0, mostly G #, B, D in the octave -1, those harmonics of E

3 weak notes C #, D, D # giving F-3 covered for their harmonics C #, D, D #in
the octave 0, mostly A, C, D #in the octave -1, those

harmonics of F

3 weak notes D, D #, E giving F#-3 covers for their harmonic D, D #, E #in the
octave 0, mostly A #, C #, E in the octave -1,

those harmonic of F #

3 weak notes D #, E, F giving G-3 covers for their harmonic D #, E, F in the
octave 0, mostly B, D, F in the octave -1, those

harmonic of G

3 weak notes E, F, F # giving G#-3 covers for their harmonic E, F, F #in the
octave 0, mostly C, D #, F # those harmonic of G #

3 weak notes F, F #, G giving TO-3 we cover for their harmonic F, F #, G in the
octave 0, mostly C #, E, G in the octave -1, those harmonic of A

3 weak notes F #, G, G # giving A#-3 covers for their harmonic F #, G, G #in the
octave 0, mostly D, F, G #in the octave -1, those

harmonic of A #

3 weak notes G, G #, A giving B-3 we cover for their harmonic G, G #, TO in the
octave 0, mostly D #, F #, A in the octave -1, those harmonic of B



13. When choosing frequencies within the range of a particular musical note
taking into accounts the spirals and all the parameters of the analysis of the
Chromatic and then help the organism to obtain harmony and vocal coherence.

In the first place we have the weakest or lacking note that is important, look
in the interpretation texts to what

problems and organs it belong, and later we have as high-priority the weakest
note of the Yin spiral, the 3 notes most

stressed that remove energy to a particular note, to compare the interpretation
of the most weak with the weak note of the Yin spiral, decide which fits best
with the pathologies that the person shows, to choose the one that has most
sense. If 3 analysis are done, Base, stress and future see if the spirals have
maintained in the three analyses of the different topics, or by comparing the
changes between one analysis and another. Another point to take into account is
when a multiple octave exists Cellular, mostly in the weak notes, maybe the
pathologies coincide better with this, therefore you would choose frequencies
inside the range of that note. We really have three weak notes where to choose,
the most weak, the weak one of Yin the spiral, that of a multiple cellular
octave, if the interpretation of the texts and the patient- participant
pathology doesn't help us to choose which is the most important we can choose
frequencies inside two notes and if the multiple octave is important we would
choose one of those, to produce coherence it is most effective to choose one
frequency within the range of the weak note of the Yin spiral.

For example if the 6 weakest are F #, G, G #, A, A #and B and the note that we
want to give is G because the 3 more

stressed are C #, D, and D # that remove energy to G #, and the 3 weakest could
be G #, A, A # that give energy to D #,

we would choose G # as the note most weak responsible for 3 more stressed, the
weakest note is A # and there is one

multiple octave in A, we would choose a frequency in the range that tells us the
boxcell when we leave the cursor of the mouse between the notes G #and A,
although the note that most coincides with the person's pathologies it should be
the high-priority one.




14. Different formulas that can be generated from a frequency. How to create a
CD of a frequency that we have already chosen.

To generate a wave file that we can use a BIOAUDIO module of the BIOSONIC
SYSTEM. When recording a CD we always have to make it in the format 44100 hertz,
16 bits and a Compact Disc of audio will only recognize the first session, so
that all the frequencies and formulas that we give in this first session will
use de CD even though it occupies only 20 minutes or less than the CD it will be
the only one that will be recognized. Next tones have to be recorded in another
CD.

The BioAudio has many options to Generate Tones and we can add also one
frequency of one of their harmonics, as indicated in the point 13 of continuing
formulas. It is saved, in the format before mentioned (44100hz.16 bits), just
remember in which folder you have chosen to save it, because you need to open it
again from the CD recorder software. And you open the program to create CD's
like Easy CD or the one that comes with the CD's recorder, that will be used to
burn the CD with the audio for therapy..

When creating two different frequencies in both ears, we usually give the lowest
frequency in the left ear,

because the left hemisphere of the brain wants what it lacks. But we can
experience making it the other way around,

mostly for people with right brain dominance or whole brain dominance.

It is convenient to create two frequencies that are harmonics from the other,
and deciding to give a certain frequency, either belonging to a mineral, vitamin
or amino acid chosen from the database, or another frequency decided by others

methods.



15. - How to charge a quartz crystal with the frequency that a person needs.



Buy a quartz crystal of the size of a finger more or less, always clean it
energetically leaving it in water with salt during one day more or less.
Generate the desired frequency with the BioAudio and then test the frequency
tone by place the crystal between the headphones, and if it is possible, place
these inside a copper box or surrounded of a copper foil, and place the crystal
between both headphones with the frequency during 15 minutes. Ask the person to
take it the closest possible to the skin and not on the air. If it has been a
lot of time with the charged quartz with their frequency in subways, trains or
airplanes, they will have to clean it again and to charge it again. We have been
able to see with an EEG that with the contact with the skin of the person, the
brain produces the charged frequency in the quartz crystal very quickly, for
that reason it is a valuable method to deliver sound.



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www.biosonic.org
www.redestb.es/planet-art/BIOSONICA.htm
PLANET ART c/ de las Fuentes 8, Madrid 28013, SPAIN
34-915425597, 34-619228048


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