> Date: Sun, 7 Sep 2003 22:45:47 -0700 (PDT)
> Subject: Fwd: biogeometry shape sonifications by Dr.
> Karim of Egypt
> To: biosonic@yahoogroups.com
>
>
> > Date: Sun, 7 Sep 2003 22:29:06 -0700 (PDT)
> > Subject: biogeometry shape sonifications by Dr.
> > Karim of Egypt
> >
> Hello Everyone,
>
> Dr. Karim's sonifications of shapes for
> bioharmonization sounds like a good accompaniment
> for
> biosonic healing.
>
> Michael
> >
> > http://www.biogeometry.com/sound.asp#abc
> >
> >
> > Dr Ibrahim Karim
> > Applications The concept of Silent Sound
> > The New Technology behind Silent Sound
> >
> > The concept of Silent Sound
> > Definition -1
> >
> > The transformation of BioGeometrical architectural
> > space, BioGeometrical shapes and patterns,
> > BioGeometrical colour placements, BioGeometrical
> > motion and body postures, BioGeometrical sacred
> > tongue
> > movements, into sound frequencies outside the
> > audible
> > range, to be recorded and replayed on digital
> media.
> > Goal -2
> >
> > The Goal of Silent sound is to bring into the
> > surrounding space, the main quality of
> BioGeometry,
> > which is a design language of shape, colour,
> motion,
> > and sound, to produce the perfect balance of all
> > energy functions of life, in it’s wider sense,
> > resulting in a holistic health quality in humans,
> > animals, plants, and even inanimate matter.
> > The energy qualities produced through the use of
> > BioGeometry have the same vibrational quality
> > components as sacred power spots. BioGeometry
> > actually
> > transforms the energy quality of space to produce
> a
> > sacred power spot. This is the energy quality
> > associated with all spiritual activities, and is
> the
> > main criteria in Sacred Geometry and BioGeometry,
> as
> > used in Architecture from ancient civilizations
> down
> > to recent times.
> > Church bells, the ‘Azaan’ of the calling to prayer
> > or
> > the ‘Tajweed” chanting of the Holy Koran in Islam,
> > and
> > many forms of religious chanting in all cultures,
> > all
> > reproduce the spiritual energy balancing effect as
> > reproduced by BioGeometry, through special
> harmonic
> > techniques in audible sound.
> > Possibilities -3
> >
> > The fact that silent sound carries the balancing
> > qualities of BioGeometry in total silence opens
> new
> > possibilities for use as a completely unperceived
> > background quality that can be used to balance the
> > energy of any activity without any intrusion.
> > Applications
> > Home environment -1
> >
> > Creating energy balanced environments in homes,
> > especially in the bedroom and places of prolonged
> > stay, or where a lot of electronic and cellular
> > devices are found, is a very efficient way to
> > support
> > holistic health.
> > Work environment -2
> >
> > The use of silent sound is suitable for work
> > environments to reduce stress from work and
> protect
> > from the electromagnetic emanations from
> electronic
> > and cellular devices.
> > Concentration and creativity are enhanced. -
> > Bring harmony in the communication between
> workers.
> > -
> > Bring harmony in the communication between
> workers.
> > -
> > All types of vehicles -3
> > The use in cars, planes, etc. reduces stress and
> > increases concentration and coordination is very
> > important. It can be permanently built into the
> > vehicle. Driver and pilot error can be
> significantly
> > reduced to avoid accidents.
> > Agriculture -4
> >
> > The use in BioGeometrical organic agriculture has
> > proven to be very effective in producing healthier
> > plants with reduction of pesticides and chemicals.
> > The
> > plants are healthier, taste better, and have a
> > longer
> > shelf life, while being cheaper to produce than
> > other
> > types of agriculture.
> > In the home the plants become healthier and show
> > more
> > growth.
> > Animals -5
> >
> > The use in chicken farming with other
> BioGeometrical
> > methods, has produced healthier chemical free
> > chicken
> > and a significant effect on growth.
> > Research projects with sick cows are also showing
> > good
> > results.
> > The use of silent sound with other BioGeometrical
> > methods with Arabian horses is showing a
> significant
> > effect on health and temperament.
> > Music -6
> >
> > Silent sound can be recorded into any kind of
> music
> > to
> > bring its beneficent effects to the audience.
> > Television -7
> >
> > Using silent sound in the television studios
> during
> > recording will ‘imprint’ the balancing quality on
> > the
> > broadcast and reduce the harmful emanations from
> > television screens, while balancing the energy of
> > the
> > audience to produce better holistic health.
> > BioGeometry has been already tried and tested in
> > several television programs in the Egypt, the Arab
> > World, and the United States.
> > Mobile phones and cellular devices -8
> > Adding silent sound to the mobile phone cellular
> > network will dramatically reduce the harmful side
> > effects.
> > Computers -9
> > Using a silent sound CD in the computer will
> protect
> > from the harmful side effects and promote the
> health
> > of the user.
> > Teaching Environments -10
> >
> > Silent sound provides an ideal environment in
> > teaching
> > facilities, as it enhances concentration and
> > creativity while reducing stress. The use of
> > BioGeometry in children schools has shown positive
> > results. It is especially suitable for dealing
> with
> > hyperactivity or attention deficiency.
> > Sports environments -11
> > In sports environments Silent Sound and
> BioGeometry
> > in
> > general can create    harmony, coordination, and
> > raise
> > the vitality.
> > Spiritual Environment -12
> >
> > Many spiritual activities such as yoga,
> meditation,
> > various forms of exercises, and any form religious
> > ritual can be raised to a new level through silent
> > sound.
> > The New Technology behind Silent Sound
> > The shape and location of the recording studio are
> > important for silent sound -1
> >
> > The recording studio is built in a very special
> > place
> > within a noise free area. It is located in the
> > middle
> > of green surroundings with no buildings within
> > sight.
> > The shape of the studio is especially favourable
> for
> > the needs of silent sound.
> > Modifying the recording equipment -2
> >
> > The recording equipment has been modified in a way
> > to
> > capt the spiritual quality of the silent sound
> > produced by the colours and geometrical shapes.
> > BioGeometrical placing of colours in special
> > patterns
> > around recording media
> > In order to record the quality that colours placed
> > according to BioGeometrical principles produced, a
> > placement of additional colours in a special
> > geometric
> > pattern with a specific orientation to the
> > North-South
> > axis was necessary to make the energy quality
> leave
> > its imprint on digital media.
> > Placing the BioGeometrical shapes -3
> >
> > To record the energy quality that BioGeometrical
> > shapes produced, they had to be placed in a
> special
> > geometric pattern with a specific orientation to
> the
> > North-South axis to make the energy quality leave
> > its
> > imprint on digital media.
> > Recording the energy changes associated with
> tongue
> > movement -4
> >
> > There is a geometrical quality to sound where the
> > shape of the tongue moving under the dome of the
> > mouth
> > cavity gives a quality to the consonants and the
> > shape
> > of the opening of the mouth gives the quality to
> the
> > vowels that are the actual carriers of the
> > consonants.
> > There is a specific tongue position to balance the
> > energy functions of the body. There are also
> tongue
> > positions that work on the emotional, mental and
> > spiritual levels.
> > The geometrical qualities of sound are also
> affected
> > by the geometrical qualities of the space in which
> > they are produced -5
> >
> > Besides the geometrical qualities of sound there
> are
> > emotional, mental and spiritual qualities from the
> > conscious as well as the subconscious levels that
> > are
> > carried by the sound.
> > Detection of the geometrical qualities of sound -6
> >
> >  The geometrical qualities of sound can be
> separated
> > from the rest of the qualities by using a certain
> > technique to cancel audible sound as well as the
> > emotional and mental qualities from the conscious
> or
> > subconscious mind. These geometrical qualities
> > affect
> > the body energy system and are then found on the
> > subtle energy field of the body as inaudible
> > extra-sensory energy quality.
> > To record the geometrical quality sound from the
> > subtle energy field of the body, special
> > BioGeometrical scepters are used to balance and
> > amplify the human energy field to produce an
> effect
> > on
> > digital media.
> > ‘Imprinting’ the BioSignatures onto the digital
> > media
> > -7
> > The BioSignatures that enter into resonance with
> the
> > energy functions of the body are place in a
> certain
> > pattern around the person, each in a specific
> angle
> > of
> > orientation to the North-South axis.
> > They are first placed along a specific sequence at
> a
> > specific time interval to achieve maximum effect
> and
> > then the whole group is rotated in a numerical
> > sequence of clockwise and anticlockwise rotations
> > before they are put in the final placement.
> > Only by the use of the above procedure can the
> > desired
> > effect be imprinted on digital media and be
> > reproduced
> > with all the qualities of the BioSignatures in
> > silent
> > sound.
> > ‘Imprinting’ visualised BioGeometrical shapes and
> > BioSignatures onto the digital media -8
> >
> > Some BioGeometrical shapes and BioSignatures of
> > esoteric and spiritual nature are visualised by
> Dr.
> > Ibrahim Karim with specific body positions in a
> > BioGeometrically activated environment and
> imprinted
> > by a special technique on the digital media.
> > Time and Place of the recording -9
> >
> > This step is a traditional part of all sacred
> > activities of Ancient Egypt and is found in all
> > ancient civilizations and exists today in the
> > rituals
> > of many esoteric societies.
> > The place and date play an important role in the
> > energy quality and the power needed to achieve
> good
> > results. A natural or created ‘sacred power spot’
> > and
> > a sacred ‘power time’ must be chosen in a manner
> > used
> > for Ancient Egyptian sacred ceremonies. Then a
> > certain
> > ‘magical hour’ is chosen for each track, to
> balance
> > and amplify its energy quality.
> > Reproduction -10
> >
> > Every CD must be directly recorded from the
> computer
> > as a master CD. Silent sound is not transferred
> into
> > copies.
> > It has been observed that after adhering to the
> > above
> > procedures to produce the full energy qualities of
> > silent sound, that some of those qualities were
> not
> > reproducible in the production of copies from the
> > master CD. In order to make all the qualities of
> > Silent Sound available it has been necessary to
> > produce every Silent Sound CD directly from the
> > Computer as a master CD.
> > Volume -11
> >
> > To play the Silent Sound CD, the volume should be
> > set
> > at the maximum possible while still canceling the
> > background sound on the CD.
> > Some audible sounds of movement, breathing, and
> > other
> > environmental noises have been intentionally
> > recorded
> > on the Silent Sound CD and can be heard if the
> > volume
> > is raised beyond a certain level. They serve a
> > specific purpose to the producers.
> > Copyrights -12
> > Silent Sound is a Trade Mark of BioGeometry Energy
> > Systems Ltd.
> > Print this page
> > BioGeometry Science | Physics of Quality | What is
> > Energy | Science of Radiesthesia
> > The Sample | Dr Ibrahim Karim | BioSignatures |
> > Silent
> > Sound | Q & A | Products
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> >
> >
> >
> >
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